Deluxe Model Related Items

Squier Deryck Whibley Telecaster Guitar


Squier’s latest uber-cool artist signature model is the Artist Series Deryck Whibley Telecaster guitar. Whibley, as all the cool punk-pop kids know, is the leader of Juno-winning Canadian punk-pop trio Sum 41. His new Squier signature model nails the vibe of a classic ’70s Fender Telecaster Deluxe model, with features including Whibley’s signature red X graphics, a single ferocious Duncan Designed??????? humbucking pickup and retro-cool “blackface” amp control knobs. Specifications: Model Name : Deryck Whibley Telecaster Body : Agathis Neck : Maple, C-Shape, (Gloss Polyurethane Finish) Fingerboard : Maple, 7.25″ Radius (184 mm) No. of Frets : 21 Medium Jumbo Frets Pickups : 1 Duncan Designed??????? HB-102 Chrome Covered Humbucking Pickup (Bridge) Controls : Volume, Tone Pickup Switching :None Bridge : 6-Saddle Strings-Thru-Body Tele Bridge Machine Heads : Standard Die-Cast Tuners Hardware : Chrome Pickguard : 3-Ply Black/White/Black Scale Length : 25.5″ (648 mm) Width at Nut : 1.650″ (42 mm) Unique Features : “Deryck” Signature on Front of Headstock, Large ’60s Style Strat Headstock, Red “X” Graphics on Body and Pickguard, Single Chrome Covered Bridge Humbucking Pickup, Skirted Black/Silver (1-10) Amp Control Knobs, Black Dot Position Inlays, No Belly Cut on Body, Side Mounted Input Jack Strings : Fender Super 250L, Nickel Plated Steel, (.009 to .042), p/n 073-0250-003 Introduced : 4/2007 Notice : Product Prices, Features, Specifications and Availability Are Subject To Change Without Notice



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Fender Standard Fretless Jazz Bass Guitar RW


First introduced in 1960 as the “Deluxe Model,” the Fender Jazz Bass has stood the test of time to become one of the most played instruments in modern musical history. The off-set waist body, ultra slim fast-action neck and full-range bi-pole pickups are standard features on the Standard Jazz Bass. This bass is featured in a black finish. Features: Body Alder Neck Maple, Modern ???????C Shape, (Satin Polyurethane Finish) Fingerboard Rosewood, (9.5 Radius/241 mm) No. of Frets Fretless, 20 Inlaid White Fretline Markers Pickups 2 Standard Jazz Bass Single-Coil Pickups (Mid & Bridge) Controls Volume 1. (Neck Pickup), Volume 2. (Bridge Pickup), Master Tone Bridge Standard Vintage Style Machine Heads Standard Hardware Chrome Pickguard 3-Ply White Scale Length 34 (864 mm) Width at Nut 1.50 (38mm) Gig bag included



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Fender Standard Jazz Bass Guitar LH RW


On its early ’60s introduction, the Fender Standard Jazz Bass guitar immediately endeared itself to the music world, quickly becoming another Fender design classic and an indispensable element in the arsenal of many a bassist worldwide. This lean-and-mean Standard Lefty Jazz Bass incorporates many of the original model’s classic Fender ???????firsts, such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups and American Jazz Bass knobs, giving you the best of both worlds and eras???????some vintage vibe and appointments with some modern refinements. The Jazz Bass (or J-Bass) was the second model of electric bass guitar created by Leo Fender. The Jazz Bass has a more articulate, defined sound than the Fender Precision Bass. The bass is distinct from the Precision Bass in that its tone is brighter and richer in the midrange with less emphasis on the fundamental harmonic. Because of this, many bass players who want to be more “forward” in the mix (including smaller bands such as power trios), prefer the Jazz Bass. First introduced in 1960 as the “Deluxe Model”, it was marketed as a stablemate to the Jazzmaster guitar which was also marketed as a “Deluxe Model” in its own right; however, it was renamed the Jazz Bass as Fender felt that its redesigned neck - narrower and more rounded than that of the Precision Bass - would appeal more to jazz musicians. The Jazz Bass has two single coil pickups with two pole pieces per string. This gave the bass a a stronger midrange sound to compete with the Rickenbacker bass, which had been introduced in 1954 and which was famously “bright.” As well as having a slightly different, less symmetrical and more contoured body shape (known in Fender advertising as the “Offset Waist Contour” body), the Jazz Bass neck is noticeably narrower at the nut than that of the Fender Precision Bass. While the original Precision Bass was styled similarly to the Telecaster guitar, the Jazz Bass` styling was inspired more by the Jazzmaster guitar, with which the Jazz shared its offset body and sculpted edges that differentiate it from other slab-style guitar bodies. The original intention was to encourage upright-bass players to switch to electric bass guitar. It has become a true classic in the hands of bassists such as solo Bassist and Session Musician Marcus Miller, John Paul Jones of Led Zeppelin, Tim Commerford of Rage Against the Machine & Audioslave , Verdine White of Earth, Wind, & Fire, Larry Graham of Sly and the Family Stone and Graham Central Station, Noel Redding of the Jimi Hendrix Experience, John Entwistle of The Who (in the 1960s) and Geddy Lee of Rush, Flea of the Red Hot Chili Peppers, Les Claypool of Primus, Wesley Hopkins of Global Shell, Matt Freeman of Rancid, Jay DeMarcus of Rascal Flatts and Klaus Flouride of the Dead Kennedys to name but a few. Vintage examples from the 1960s and 1970s are highly desirable. The new models remain a popular choice today of rock, ja



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