The Fender Standard Jazz Bass Fretless (Upgrade) electric bass guitar sound SINGS to you, the lows are deep and organic, and the upper range will touch your soul. All you players who play fretted basses; if you want to improve your skills, play a fretless, you will be surprised to find out how much more there is to learn about your instrument! On its early ’60s introduction, the Fender Jazz Bass guitar immediately endeared itself to the music world, quickly becoming another Fender design classic and an indispensable element in the arsenal of many a bassist worldwide. The fretless version of the instrument also proved very popular and quickly found its own niche. The fretless version of the lean-and-mean Standard Jazz Bass incorporates many of the original model’s classic Fender ???????firsts, such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups, American Jazz Bass knobs and side dot position markers are centered between fretlines, giving you the best of both worlds and eras???????some vintage vibe and appointments with some modern refinements. Fretless basses have a distinct sound: the absence of frets means that the string must be pressed down directly onto the wood of the fingerboard and can buzz against it as with the double bass, sometimes described as a “mwaah” sound by bassists. The fretless bass allows players to use the expressive devices of glissando, vibrato and microtonal intonations such as quarter tones and just intonation. Some bassists use both fretted and fretless basses in performances, according to the type of material they are performing. In ???????How The Fender Bass Changed The World, Jim Roberts states that Bill Wyman made the first known fretless electric bass guitar in 1961 by converting an inexpensive Japanese fretted bass. This fretless bass can be heard on The Rolling Stones songs such as “Paint it Black”. Fender introduced a fretless version of the Precision Bass in 1970. Fusion-jazz virtuoso Jaco Pastorius created his own fretless bass by pulling the frets out of a sunburst Fender Jazz Bass, filling up the holes with wood putty and coating the fretboard with epoxy resin. Fretless basses are widely used in jazz and jazz fusion music. Nonetheless, many bassists from other genres use fretless basses. This Electron Blue finish Fretless Fender Standard Jazz Bass is pure tonal magic; from soaring fretless highs to growling lows, just like an upright! Makes A Great, Thick Fretless Sound, With Plenty Of “mwah”! Features: Model Name: Standard Jazz Bass Fretless (Upgrade) Series Standard Series Body Alder (Polyester Finish) Maple Neck, Modern ???????C Shape (Satin Polyurethane Finish) Rosewood Fingerboard 9.5 Radius (241mm) Fretless, 20 Inlaid White Fretline Markers Pickups 2 Upgraded Standard Jazz Bass Single-Coil Pickups (Mid & Bridge) Controls: Volume 1. (Neck Pickup) Volume 2. (Bridge Pickup) Master Tone Bridge: Standard Vintage Style Standard Mach
Click here to buy
More info: Fender Standard Fretless Jazz Bass Guitar RW
SQUIER STANDARD JAZZ BASS - BLACK The Squier Standard Jazz Bass features many classic Fender Jazz Bass appointments, including an offset waist body, ultra slim fast action neck and full range bi-pole pickups. This bass has a rosewood fingerboard and features a captivating black finish. Features: Agathis body with black finish Maple neck; C-shape, (polyurethane finish) Rosewood fingerboard 20 medium jumbo frets 34" scale length 2 single-coil bi-pole pickups Two volume knobs; one tone knob Chrome hardware Standard chrome tuners Standard 4 string bridge
Click here to buy
More info: Squier Standard Jazz Bass Guitar RW
FENDER RUMBLE 25 COMBO BASS AMPLIFIER Sporting attributes usually found on more expensive amplifiers, the Rumble 100 combo features carpet covering, oversized plastic corners, metal grill and the stylized Fender Bass Amplification logo. The Rumble 25’s exclusive red ?stage light? pulsates with your playing to inspire you to get better faster! This amp is loaded with the tones and features that pro players demand, yet at a price that even beginning bassists can afford. The Rumble 25 offers 25 watts of power and a Fender Special Design 10" speaker, the most popular sized speaker of professional bassists! The onboard effects loop (preamp out/power amp in) serves multiple functions. First, the preamp out allows you to send your signal directly to a recording device (no microphone needed). Second, you can route effects such as delay or reverb in to the middle of your signal path (which produces better results). It also has a CD input to jam along to your favorite music. This amp has enough power to jam with friends at medium volumes and is easily transported for low-level rehearsals. Features: Solid state bass amplifier 25 watts into 8 ohms 10" Fender Special Design: 8 ohm, 50 watts capacity Single channel 3-band EQ Passive and active instrument inputs Auxiliary input for CD, tape or drum machine Delta comp adaptive compression circuitry Effects loop Headphone jack Ported cabinet Black carpet covering Rugged black metal grill Oversized plastic corners Passive/active switch Preamp out Power amp in Size: 18"h x 14.75"w x 10"d. Wt. 37 lbs.
Click here to buy
More info: Fender Rumble 25 Bass Combo Amplifier
This Fender Standard Lefty Strat was built for all the artistic southpaws out there, (you’re in good company; some notable left handers include Jimi Hendrix, Dick Dale, and Paul McCartney) it features a fast-action maple neck, Arctic White finish, comfort-contoured body, three single-coil pickups and a standard synchronized tremolo, the Fender Stratocaster is known as both a working musician`s tool and as an international cultural icon. The contoured alder body fits comfortably against your ribs enabling you to play for hours on end, add a three-ply pickguard, maple neck with maple fretboard, Two-point synchronized tremolo which is one of the best modern designs, and three single coil pickups that deliver all the “spank” and “sparkle” you`d expect from a Strat, and you have a guitar that’s adaptable to almost any musical situation. The beauty of this guitar is the simplicity and practical engineering. The most amazing thing about this guitar is despite all the advancements in modern technology No one has been able to top the basic design. Leo Fender the ???????Henry Ford of guitars founded the first company to build a modular mass produced guitar. Fender`s early instruments were revolutionary, and their introduction contributed to the birth of something now commonplace: the “musical group”. Live performances up to this era had relied upon large bands and orchestras to fill concert halls. Now, armed with the proper instruments, bands or groups consisting of only 3 or 4 musicians could perform large venues. The “Big Band” era began to fade as musicians began to discover the Fender electric guitar and Fender bass. Released in 1954, Fender named his new creation the Stratocaster to invoke images of the high flying, supersonic jets filling America`s skies in the 1950`s. The modern Standard Strat incorporates several refinements into its timeless design, like hand-rolled fingerboard edges, five-way switching and a two-point synchronized tremolo along with a very reasonable price. Though the original Stratocaster was first introduced more than 50 years ago, it`s unquestionably more popular now than ever! It`s also available today in more configurations than Leo Fender ever dreamed of when he first designed it. The original Strat had three single coil pickups, so it was able to produce sounds that no other guitar could deliver, particularly once players discovered they could lodge the three-position blade switch in those “in-between” positions to access neck / middle and bridge / middle pickup combinations. (Now the Strat comes with a five-way pickup selector switch.) These were often erroneously referred to as the “out-of-phase” settings. The Fender Standard Stratocaster comes with three sweet-sounding single coil pickups but with a five-position blade switch, making it a snap to access those glossy Strat sounds with a simple flick of the finger. Leo Fender wasn`t afraid to “think outside the box” when it came to guitar designs and guitarists of
Click here to buy
More info: Fender Standard Stratocaster Electric Guitar LH MN
The Standard five-string Jazz Bass incorporates many awesome features such as the offset waist body and ultra slim fast-action neck. Updated with two bi-pole pickups and American Jazz Bass knobs. This bass is featured in a sunburst finish. Features: Body Alder Neck Maple, Modern ???????C Shape, (Satin Polyurethane Finish) Fingerboard Pau Ferro (9.5 Radius/241 mm) No. of Frets 20 Medium Jumbo Frets Pickups 2 Standard 5-String Jazz Bass Single-Coil Pickups (Mid & Bridge) Controls Volume 1. (Neck Pickup), Volume 2. (Bridge Pickup), Master Tone Bridge Standard Vintage Style 5-String Machine Heads Gotoh Cast/Sealed ???????Mini Tuners Hardware Chrome Pickguard 3-Ply White Scale Length 34 (864 mm) Width at Nut 1.875 (47.6 mm) Gig bag included
Click here to buy
More info: Fender Standard 5 String Jazz Bass Guitar
Buddy Holly, Dick Dale, Jimi Hendrix, David Gilmour, Billy Corgan & The Standard Strat! More than any other electric guitar, the Fender Strat is all guitars to all people. Featuring a fast-action maple neck, Midnight Wine finish, comfort-contoured body, three single-coil pickups and a standard synchronized tremolo, the Fender Stratocaster is known as both a working musician`s tool and as an international cultural icon. The contoured alder body fits comfortably against your ribs enabling you to play for hours on end, add a three-ply pickguard, maple neck with maple fretboard, Two-point synchronized tremolo which is one of the best modern designs, and three single coil pickups that deliver all the “spank” and “sparkle” you`d expect from a Strat, and you have a guitar that’s adaptable to almost any musical situation. The beauty of this guitar is the simplicity and practical engineering. The most amazing thing about this guitar is despite all the advancements in modern technology No one has been able to top the basic design. Leo Fender the ???????Henry Ford of guitars founded the first company to build a modular mass produced guitar. Fender`s early instruments were revolutionary, and their introduction contributed to the birth of something now commonplace: the “musical group”. Live performances up to this era had relied upon large bands and orchestras to fill concert halls. Now, armed with the proper instruments, bands or groups consisting of only 3 or 4 musicians could perform large venues. The “Big Band” era began to fade as musicians began to discover the Fender electric guitar and Fender bass. Released in 1954, Fender named his new creation the Stratocaster to invoke images of the high flying, supersonic jets filling America`s skies in the 1950`s. The modern Standard Strat incorporates several refinements into its timeless design, like hand-rolled fingerboard edges, five-way switching and a two-point synchronized tremolo along with a very reasonable price. Though the original Stratocaster was first introduced more than 50 years ago, it`s unquestionably more popular now than ever! It`s also available today in more configurations than Leo Fender ever dreamed of when he first designed it. The original Strat had three single coil pickups, so it was able to produce sounds that no other guitar could deliver, particularly once players discovered they could lodge the three-position blade switch in those “in-between” positions to access neck / middle and bridge / middle pickup combinations. These were often erroneously referred to as the “out-of-phase” settings. The Fender Standard Stratocaster comes with three sweet-sounding single coil pickups but with a five-position blade switch, making it a snap to access those glossy Strat sounds with a simple flick of the finger. Leo Fender wasn`t afraid to “think outside the box” when it came to guitar designs and guitarists of the world sure are thankful! Features: Alder Body Maple Neck, Moder
Click here to buy
More info: Fender Standard Stratocaster Electric Guitar MN
FENDER RUMBLE 60 COMBO GUITAR AMPLIFIER Sporting attributes usually found on more expensive amplifiers, the Rumble 100 combo features carpet covering, oversized plastic corners, metal grill and the stylized Fender Bass Amplification logo. The Rumble 60’s exclusive red ?stage light? pulsates with your playing to inspire you to get better faster! This amp is loaded with the tones and features that pro players demand, yet at a price that even beginning bassists can afford. The Rumble 60 offers 60 watts of power and a Fender Special Design 12" speaker! The onboard effects loop expands your sonic possibilities and the 4-band EQ with mid scoop offers even more options. Features: Solid state bass amplifier 60 watts into 8 ohms 12" Fender Special Design: 8 ohm, 100 watts capacity Single channel 4-band EQ “Mid scoop” button Auxiliary input for CD, tape or drum machine Delta comp adaptive compression circuitry Effects loop Headphone jack XLR line out jack with level and ground lift Ported cabinet Black carpet covering Rugged black metal grill Oversized plastic corners Passive/active switch Preamp out Power amp in Size: 22.5"h x 18"w x 12"d. Wt. 50 lbs.
Click here to buy
More info: Fender Rumble 60 Bass Combo Amplifier
When it comes to bass guitars Fender is simply one of the leaders of the pack. You will experience the history with every pop and slap of this mean machine! All you need do is dream and Fender will have your back. This bass is featured in a blizzard pearl finish! Features: Body Alder, (Precision Bass Body) Neck Maple Jazz Bass Neck, Modern ???????C Shape, (Satin Polyurethane Finish) Fingerboard Maple, (9.5 Radius/241 mm) No. of Frets 20 Medium Jumbo Frets Pickups 1 Standard Alnico Split Single-Coil Precision Bass Pickup (Mid), 1 Dual-Coil Ceramic Noiseless Jazz Bass Pickup with Nickel Plated Pole Pieces (Bridge) Controls Master Volume, Pan Pot, 3-Band Active EQ with: Treble Boost/Cut: +/- 10 db @ 8kHz, a shift in the cut frequency, and about a 2dB slope per octave. Mid Boost/Cut: +10dB, -15dB @ 500Hz, and a wide band slope. Bass Boost/Cut: +/- 12 db @ 40 Hz, with a 4dB slope per octave. Pickup Switching Pan Pot Bridge American Vintage Precision Bass Machine Heads Standard Hardware Chrome Pickguard 1-Ply Beveled Gold Vinyl Scale Length 34 (864 mm) Width at Nut 1.50 (38mm) Unique Features Side Mounted Jack
Click here to buy
More info: Fender Deluxe Active Precision Bass Guitar MN
SQUIER STANDARD JAZZ BASS - Antique Sunburst The Squier Standard Jazz Bass features many classic Fender Jazz Bass appointments, including an offset waist body, ultra slim fast action neck and full range bi-pole pickups. This bass has a rosewood fingerboard and features an antique sunburst finish. Features: Agathis body with antique sunburst finish Maple neck; C-shape, (polyurethane finish) Rosewood fingerboard 20 medium jumbo frets 34" scale length 2 single-coil bi-pole pickups Two volume knobs; one tone knob Chrome hardware Standard chrome tuners Standard 4 string bridge
Click here to buy
More info: Squier Standard Jazz Bass Guitar RW
When it comes to bass guitars Fender is simply one of the leaders of the pack. You will experience the history with every pop and slap of this mean machine! All you need do is dream and Fender will have your back. This bass is featured in a chrome red finish! Features: Body Alder, (Precision Bass Body) Neck Maple Jazz Bass Neck, Modern ???????C Shape, (Satin Polyurethane Finish) Fingerboard Maple, (9.5 Radius/241 mm) No. of Frets 20 Medium Jumbo Frets Pickups 1 Standard Alnico Split Single-Coil Precision Bass Pickup (Mid), 1 Dual-Coil Ceramic Noiseless Jazz Bass Pickup with Nickel Plated Pole Pieces (Bridge) Controls Master Volume, Pan Pot, 3-Band Active EQ with: Treble Boost/Cut: +/- 10 db @ 8kHz, a shift in the cut frequency, and about a 2dB slope per octave. Mid Boost/Cut: +10dB, -15dB @ 500Hz, and a wide band slope. Bass Boost/Cut: +/- 12 db @ 40 Hz, with a 4dB slope per octave. Pickup Switching Pan Pot Bridge American Vintage Precision Bass Machine Heads Standard Hardware Chrome Pickguard 1-Ply Beveled Gold Vinyl Scale Length 34 (864 mm) Width at Nut 1.50 (38mm) Unique Features Side Mounted Jack
Click here to buy
More info: Fender Deluxe Active Precision Bass Guitar MN
FENDER RUMBLE 15 COMBO BASS AMPLIFIER Sporting attributes usually found on more expensive amplifiers, the Rumble 100 combo features carpet covering, oversized plastic corners, metal grill and the stylized Fender Bass Amplification logo. The Rumble 15’s exclusive red ?stage light? pulsates with your playing to inspire you to get better faster! This amp is loaded with the tones and features that pro players demand, yet at a price that even beginning bassists can afford. ?Honey? I shrunk the Big Rig!” The Rumble 15 combo sports 15 watt power section cranked through a Fender Special Design 8" speaker in a closed-back cabinet. The Rumble 15 will help take you to the next level of bass playing. It also features a CD input to jam along to your favorite music. Take the next step ? with the Rumble 15 combo. Features: Solid state bass amplifier 15 watts into 8 ohms 8" Fender Special Design: 8 ohm, 25 watts capacity Single channel 3-band EQ Auxiliary input for CD, tape or drum machine Delta comp adaptive compression circuitry Headphone jack Sealed cabinet Black carpet covering Rugged black metal grill Oversized plastic corners Size: 15"h x 13"w x 9.25"d. Wt. 24 lbs.
Click here to buy
More info: Fender Rumble 15 Bass Combo Amplifier
SQUIER AFFINITY JAZZ BASS - BLACK The Affinity Jazz Bass features many Fender Jazz Bass appointments, including an offset waist body, ultra slim fast action neck and full range bi-pole pickups. This bass has a rosewood fingerboard and features a super-slick black finish. Features: Alder body with black finish Maple neck; C-shape, (polyurethane finish) Rosewood fingerboard 20 medium jumbo frets 34" scale length 2 single-coil bi-pole pickups Two volume knobs; one tone knob Chrome hardware Standard chrome tuners Standard 4 string bridge
Click here to buy
More info: Squier Affinity Jazz Bass Guitar RW
Buddy Holly, Dick Dale, Jimi Hendrix, David Gilmour, Billy Corgan & The Standard Strat! More than any other electric guitar, the Fender Strat is all guitars to all people. Featuring a fast-action maple neck, Electron Blue finish, comfort-contoured body, three single-coil pickups and a standard synchronized tremolo, the Fender Stratocaster is known as both a working musician`s tool and as an international cultural icon. The contoured alder body fits comfortably against your ribs enabling you to play for hours on end, add a three-ply pickguard, maple neck with rosewood fretboard, Two-point synchronized tremolo which is one of the best modern designs, and three single coil pickups that deliver all the “spank” and “sparkle” you`d expect from a Strat, and you have a guitar that’s adaptable to almost any musical situation. The beauty of this guitar is the simplicity and practical engineering. The most amazing thing about this guitar is despite all the advancements in modern technology No one has been able to top the basic design. Leo Fender the ???????Henry Ford of guitars founded the first company to build a modular mass produced guitar. Fender`s early instruments were revolutionary, and their introduction contributed to the birth of something now commonplace: the “musical group”. Live performances up to this era had relied upon large bands and orchestras to fill concert halls. Now, armed with the proper instruments, bands or groups consisting of only 3 or 4 musicians could perform large venues. The “Big Band” era began to fade as musicians began to discover the Fender electric guitar and Fender bass. Released in 1954, Fender named his new creation the Stratocaster to invoke images of the high flying, supersonic jets filling America`s skies in the 1950`s. The modern Standard Strat incorporates several refinements into its timeless design, like hand-rolled fingerboard edges, five-way switching and a two-point synchronized tremolo along with a very reasonable price. Though the original Stratocaster was first introduced more than 50 years ago, it`s unquestionably more popular now than ever! It`s also available today in more configurations than Leo Fender ever dreamed of when he first designed it. The original Strat had three single coil pickups, so it was able to produce sounds that no other guitar could deliver, particularly once players discovered they could lodge the three-position blade switch in those “in-between” positions to access neck / middle and bridge / middle pickup combinations. These were often erroneously referred to as the “out-of-phase” settings. The Fender Standard Stratocaster comes with three sweet-sounding single coil pickups but with a five-position blade switch, making it a snap to access those glossy Strat sounds with a simple flick of the finger. Leo Fender wasn`t afraid to “think outside the box” when it came to guitar designs and guitarists of the world sure are thankful! Features: Alder Body Maple Neck, Mo
Click here to buy
More info: Fender Standard Stratocaster Electric Guitar RW
Makes A Great, Thick Fretless Sound, With Plenty Of “mwah”! The sound SINGS to you, the lows are deep and organic, and the upper range will touch your soul. To all you fretted bass players out there; if you want to improve your skills, play a fretless, you will be surprised to find out how much more there is to learn about your instrument! On its early ’60s introduction, the Fender Jazz Bass guitar immediately endeared itself to the music world, quickly becoming another Fender design classic and an indispensable element in the arsenal of many a bassist worldwide. The fretless version of the instrument also proved very popular and quickly found its own niche. The fretless version of the lean-and-mean Standard Jazz Bass incorporates many of the original model’s classic Fender ???????firsts, such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups, American Jazz Bass knobs and side dot position markers are centered between fretlines, giving you the best of both worlds and eras???????some vintage vibe and appointments with some modern refinements. Fretless basses have a distinct sound: the absence of frets means that the string must be pressed down directly onto the wood of the fingerboard and can buzz against it as with the double bass, sometimes described as a “mwaah” sound by bassists. The fretless bass allows players to use the expressive devices of glissando, vibrato and microtonal intonations such as quarter tones and just intonation. Some bassists use both fretted and fretless basses in performances, according to the type of material they are performing. In ???????How The Fender Bass Changed The World, Jim Roberts states that Bill Wyman made the first known fretless electric bass guitar in 1961 by converting an inexpensive Japanese fretted bass. This fretless bass can be heard on The Rolling Stones songs such as “Paint it Black”. Fender introduced a fretless version of the Precision Bass in 1970. Fusion-jazz virtuoso Jaco Pastorius created his own fretless bass by pulling the frets out of a sunburst Fender Jazz Bass, filling up the holes with wood putty and coating the fretboard with epoxy resin. Fretless basses are widely used in jazz and jazz fusion music. Nonetheless, many bassists from other genres use fretless basses. This Arctic White finish Fretless Fender Standard Jazz Bass is pure tonal magic; from soaring fretless highs to growling lows, just like an upright! Features: Model Name: Standard Jazz Bass Fretless (Upgrade) Series Standard Series Body Alder (Polyester Finish) Maple Neck, Modern ???????C Shape (Satin Polyurethane Finish) Rosewood Fingerboard 9.5 Radius (241mm) Fretless, 20 Inlaid White Fretline Markers Pickups 2 “New” Standard Jazz Bass Single-Coil Pickups (Mid & Bridge) Controls: Volume 1. (Neck Pickup) Volume 2. (Bridge Pickup) Master Tone Bridge: Standard Vintage Style Standard Machine Heads Chrome Hardware Pickguard: 3-Ply White Scale
Click here to buy
More info: Fender Standard Fretless Jazz Bass Guitar RW
When it comes to bass guitars Fender is simply one of the leaders of the pack. You will experience the history with every pop and slap of this mean machine! All you need do is dream and Fender will have your back. This bass is featured in a navy blue metallic finish! Features: Body Alder, (Precision Bass Body) Neck Maple Jazz Bass Neck, Modern ???????C Shape, (Satin Polyurethane Finish) Fingerboard Rosewood, (9.5 Radius/241 mm) No. of Frets 20 Medium Jumbo Frets Pickups 1 Standard Alnico Split Single-Coil Precision Bass Pickup (Mid), 1 Dual-Coil Ceramic Noiseless Jazz Bass Pickup with Nickel Plated Pole Pieces (Bridge) Controls Master Volume, Pan Pot, 3-Band Active EQ with: Treble Boost/Cut: +/- 10 db @ 8kHz, a shift in the cut frequency, and about a 2dB slope per octave. Mid Boost/Cut: +10dB, -15dB @ 500Hz, and a wide band slope. Bass Boost/Cut: +/- 12 db @ 40 Hz, with a 4dB slope per octave. Pickup Switching Pan Pot Bridge American Vintage Precision Bass Machine Heads Standard Hardware Chrome Pickguard 1-Ply Beveled Gold Vinyl Scale Length 34 (864 mm) Width at Nut 1.50 (38mm) Unique Features Side Mounted Jack
Click here to buy
More info: Fender Deluxe Active Precision Bass Guitar RW
Makes A Great, Thick Fretless Sound, With Plenty Of “mwah”! The sound SINGS to you, the lows are deep and organic, and the upper range will touch your soul. To all you fretted bass players out there; if you want to improve your skills, play a fretless, you will be surprised to find out how much more there is to learn about your instrument! On its early ’60s introduction, the Fender Jazz Bass guitar immediately endeared itself to the music world, quickly becoming another Fender design classic and an indispensable element in the arsenal of many a bassist worldwide. The fretless version of the instrument also proved very popular and quickly found its own niche. The fretless version of the lean-and-mean Standard Jazz Bass incorporates many of the original model’s classic Fender ???????firsts, such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups, American Jazz Bass knobs and side dot position markers are centered between fretlines, giving you the best of both worlds and eras???????some vintage vibe and appointments with some modern refinements. Fretless basses have a distinct sound: the absence of frets means that the string must be pressed down directly onto the wood of the fingerboard and can buzz against it as with the double bass, sometimes described as a “mwaah” sound by bassists. The fretless bass allows players to use the expressive devices of glissando, vibrato and microtonal intonations such as quarter tones and just intonation. Some bassists use both fretted and fretless basses in performances, according to the type of material they are performing. In ???????How The Fender Bass Changed The World, Jim Roberts states that Bill Wyman made the first known fretless electric bass guitar in 1961 by converting an inexpensive Japanese fretted bass. This fretless bass can be heard on The Rolling Stones songs such as “Paint it Black”. Fender introduced a fretless version of the Precision Bass in 1970. Fusion-jazz virtuoso Jaco Pastorius created his own fretless bass by pulling the frets out of a sunburst Fender Jazz Bass, filling up the holes with wood putty and coating the fretboard with epoxy resin. Fretless basses are widely used in jazz and jazz fusion music. Nonetheless, many bassists from other genres use fretless basses. This Sunburst finish Fretless Fender Standard Jazz Bass is pure tonal magic; from soaring fretless highs to growling lows, just like an upright! Features: Model Name: Standard Jazz Bass Fretless (Upgrade) Series Standard Series Body Alder (Polyester Finish) Maple Neck, Modern ???????C Shape (Satin Polyurethane Finish) Rosewood Fingerboard 9.5 Radius (241mm) Fretless, 20 Inlaid White Fretline Markers Pickups 2 “New” Standard Jazz Bass Single-Coil Pickups (Mid & Bridge) Controls: Volume 1. (Neck Pickup) Volume 2. (Bridge Pickup) Master Tone Bridge: Standard Vintage Style Standard Machine Heads Chrome Hardware Pickguard: 3-Ply White Scale Leng
Click here to buy
More info: Fender Standard Fretless Jazz Bass Guitar RW
The Fender Standard Jazz Bass Fretless (Upgrade) electric bass guitar sound SINGS to you, the lows are deep and organic, and the upper range will touch your soul. All you players who play fretted basses; if you want to improve your skills, play a fretless, you will be surprised to find out how much more there is to learn about your instrument! On its early ’60s introduction, the Fender Jazz Bass guitar immediately endeared itself to the music world, quickly becoming another Fender design classic and an indispensable element in the arsenal of many a bassist worldwide. The fretless version of the instrument also proved very popular and quickly found its own niche. The fretless version of the lean-and-mean Standard Jazz Bass incorporates many of the original model’s classic Fender ???????firsts, such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups, American Jazz Bass knobs and side dot position markers are centered between fretlines, giving you the best of both worlds and eras???????some vintage vibe and appointments with some modern refinements. Fretless basses have a distinct sound: the absence of frets means that the string must be pressed down directly onto the wood of the fingerboard and can buzz against it as with the double bass, sometimes described as a “mwaah” sound by bassists. The fretless bass allows players to use the expressive devices of glissando, vibrato and microtonal intonations such as quarter tones and just intonation. Some bassists use both fretted and fretless basses in performances, according to the type of material they are performing. In ???????How The Fender Bass Changed The World, Jim Roberts states that Bill Wyman made the first known fretless electric bass guitar in 1961 by converting an inexpensive Japanese fretted bass. This fretless bass can be heard on The Rolling Stones songs such as “Paint it Black”. Fender introduced a fretless version of the Precision Bass in 1970. Fusion-jazz virtuoso Jaco Pastorius created his own fretless bass by pulling the frets out of a sunburst Fender Jazz Bass, filling up the holes with wood putty and coating the fretboard with epoxy resin. Fretless basses are widely used in jazz and jazz fusion music. Nonetheless, many bassists from other genres use fretless basses. This Chrome Red finish Fretless Fender Standard Jazz Bass is pure tonal magic; from soaring fretless highs to growling lows, just like an upright! Makes A Great, Thick Fretless Sound, With Plenty Of “mwah”! Features: Model Name: Standard Jazz Bass Fretless (Upgrade) Series Standard Series Body Alder w/ Chrome Red (Polyester Finish) Maple Neck, Modern ???????C Shape (Satin Polyurethane Finish) Rosewood Fingerboard 9.5 Radius (241mm) Fretless, 20 Inlaid White Fretline Markers Pickups 2 Upgraded Standard Jazz Bass Single-Coil Pickups (Mid & Bridge) Controls: Volume 1. (Neck Pickup) Volume 2. (Bridge Pickup) Master Tone Bridge: Standard Vintage Style Standa
Click here to buy
More info: Fender Standard Fretless Jazz Bass Guitar RW
The Aerodyne Jazz Bass is a special edition Jazz Bass featuring a bound basswood body with a unique radius carved top, a maple neck with rosewood fingerboard and matching painted headstock. It is loaded with a Precision/Jazz pickup combination and rear mounted controls with no pickguard. Features: Radius Carved Basswood Body with Cream Binding Rear-mounted Controls with Skirted Chrome Knobs and Top Mounted Strat Jack Plate Matching Painted Headstock Precision/Jazz Bass Pickup Combination Bolt-on Neck with 7.25 Radius and Vintage Frets Maple Neck with Rosewood Fingerboard 34 Inch Scale Length Side Dot Position Inlays Only
Click here to buy
More info: Fender Aerodyne Jazz Bass Guitar
SQUIER STANDARD JAZZ BASS - Satin Pewter Metallic The Squier Standard Jazz Bass features many classic Fender Jazz Bass appointments, including an offset waist body, ultra slim fast action neck and full range bi-pole pickups. This bass has a rosewood fingerboard and features a satin pewter metallic finish. Features: Agathis body with satin pewter metallic finish Maple neck; C-shape, (polyurethane finish) Rosewood fingerboard 20 medium jumbo frets 34" scale length 2 single-coil bi-pole pickups Two volume knobs; one tone knob Chrome hardware Standard chrome tuners Standard 4 string bridge
Click here to buy
More info: Squier Standard Jazz Bass Guitar RW
Makes A Great, Thick Fretless Sound, With Plenty Of “mwah”! The sound SINGS to you, the lows are deep and organic, and the upper range will touch your soul. To all you fretted bass players out there; if you want to improve your skills, play a fretless, you will be surprised to find out how much more there is to learn about your instrument! On its early ’60s introduction, the Fender Jazz Bass guitar immediately endeared itself to the music world, quickly becoming another Fender design classic and an indispensable element in the arsenal of many a bassist worldwide. The fretless version of the instrument also proved very popular and quickly found its own niche. The fretless version of the lean-and-mean Standard Jazz Bass incorporates many of the original model’s classic Fender ???????firsts, such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups, American Jazz Bass knobs and side dot position markers are centered between fretlines, giving you the best of both worlds and eras???????some vintage vibe and appointments with some modern refinements. Fretless basses have a distinct sound: the absence of frets means that the string must be pressed down directly onto the wood of the fingerboard and can buzz against it as with the double bass, sometimes described as a “mwaah” sound by bassists. The fretless bass allows players to use the expressive devices of glissando, vibrato and microtonal intonations such as quarter tones and just intonation. Some bassists use both fretted and fretless basses in performances, according to the type of material they are performing. In ???????How The Fender Bass Changed The World, Jim Roberts states that Bill Wyman made the first known fretless electric bass guitar in 1961 by converting an inexpensive Japanese fretted bass. This fretless bass can be heard on The Rolling Stones songs such as “Paint it Black”. Fender introduced a fretless version of the Precision Bass in 1970. Fusion-jazz virtuoso Jaco Pastorius created his own fretless bass by pulling the frets out of a sunburst Fender Jazz Bass, filling up the holes with wood putty and coating the fretboard with epoxy resin. Fretless basses are widely used in jazz and jazz fusion music. Nonetheless, many bassists from other genres use fretless basses. This Midnight Wine finish Fretless Fender Standard Jazz Bass is pure tonal magic; from soaring fretless highs to growling lows, just like an upright! Features: Model Name: Standard Jazz Bass Fretless (Upgrade) Series Standard Series Body Alder (Polyester Finish) Maple Neck, Modern ???????C Shape (Satin Polyurethane Finish) Rosewood Fingerboard 9.5 Radius (241mm) Fretless, 20 Inlaid White Fretline Markers Pickups 2 “New” Standard Jazz Bass Single-Coil Pickups (Mid & Bridge) Controls: Volume 1. (Neck Pickup) Volume 2. (Bridge Pickup) Master Tone Bridge: Standard Vintage Style Standard Machine Heads Chrome Hardware Pickguard: 3-Ply White Scale
Click here to buy
More info: Fender Standard Fretless Jazz Bass Guitar RW
First introduced in 1960 as the “Deluxe Model,” the Fender Jazz Bass has stood the test of time to become one of the most played instruments in modern musical history. The off-set waist body, ultra slim fast-action neck and full-range bi-pole pickups are standard features on the Standard Jazz Bass. This bass is featured in a black finish. Features: Body Alder Neck Maple, Modern ???????C Shape, (Satin Polyurethane Finish) Fingerboard Rosewood, (9.5 Radius/241 mm) No. of Frets Fretless, 20 Inlaid White Fretline Markers Pickups 2 Standard Jazz Bass Single-Coil Pickups (Mid & Bridge) Controls Volume 1. (Neck Pickup), Volume 2. (Bridge Pickup), Master Tone Bridge Standard Vintage Style Machine Heads Standard Hardware Chrome Pickguard 3-Ply White Scale Length 34 (864 mm) Width at Nut 1.50 (38mm) Gig bag included
Click here to buy
More info: Fender Standard Fretless Jazz Bass Guitar RW
A Reissue Of The Easiest-To-Play Fender Bass Ever Made! Fender’s popular Mustang Bass guitar was introduced in 1964 as a cool short-scale alternative to its illustrious long-scale big brothers. This thoroughbred reissue captures the original instrument’s feisty mid-60s vibe, and is perfect for players who dig a shorter scale (30) or who have smaller hands. Guitar players and younger musicians will find it especially comfortable to play! Details include a solid alder body, split single-coil pickup and a maple neck with a rosewood fingerboard, dot inlays and nickel/silver frets. The Fender Mustang`s short scale has a lot of advantages if you like bending, and like a little more trebly, throaty sound. Short scale also lets you do things you can`t do on a 34-inch scale. You can do riffing with guitar-like ease on this bass guitar, and it`s much easier to control your sound. String spacing is the same as a J-bass at the neck and just slightly narrower at the bridge. The Fender Mustang Bass single-coil split pickup just sings in such a special way; a truly pleasing, vintage-sounding tone. The Fender Mustang Bass suits surf-rock, country, garage, even blues, some jazz, any type of roots music. The Fender Mustang Bass delivers a wide range tone from its split single-coil pickup, which can sound thick and heavy, or bright and punchy. Some famous Mustang players??????? Bill Wyman of The Rolling Stones used Mustang basses in the late-1960s and early-1970s. Tina Weymouth of Talking Heads used a Mustang bass in the early days of the band. Denny Laine occasionally used one during his time with Wings, when lead singer Paul McCartney would switch from bass to piano or guitar. Chris Murphy of Sloan frequently uses a Mustang bass. Red Hot Chili Peppers bassist Flea learned how to play bass on a Mustang. Dee Dee Ramone played many shows with a Mustang bass. Holger Czukay of Can (band) played a Mustang bass for much of his time with the band. Simon Green, a.k.a. Bonobo, plays a Mustang bass with his touring band. Trevor Bolder of David Bowie and The Spiders from Mars used a Mustang Bass among many other basses. Alan Lancaster of Status Quo used Mustang in 60s and 70s. Paula Pierce of The Rage (later a founding member of The Pandoras), played a Mustang bass live and when recording from 1976 to 1978. You’ll go to bed thinking about this bass and wake up thinking about this bass! Features: Classic Series Alder Body Fiesta Red (Polyurethane Finish) Maple Neck, ???????C Shape (Gloss Polyurethane Finish) Rosewood Fingerboard 7.25 Radius (184mm) 19 Vintage Frets Pickups: 1 Special Design Split Single-Coil Mustang Bass Pickup Controls: Volume, Tone Strings-Thru-Body Bridge with 4 Individually Adjustable Saddles Standard Vintage Style Machine Heads Chrome Hardware Pickguard: 3-Ply White Pearloid Scale Length: 30 Width at Nut: 1.50 (38mm) Dot Position Inlay
Click here to buy
More info: Fender Mustang Bass Guitar
This sleek, shallow-body cutaway acoustic-electric bass, fitted with a Fishman Acoustic Matrix, sounds warm and full and plays like a dream. Features: Body Style: Cutaway Acoustic/Electric Bass Top: Spruce Back & Sides: Mahogany Neck: Nato Tuners: Chrome Diecast Markers: Dot Fretboard: Rosewood Pickups: Fishman Acoustic Matrix No. of Frets: 20 Scale Length: 29.7″ (752 mm) Neck Width @ Nut: 1.69″ (42 mm)
Click here to buy
More info: Fender BG-32 Mini Jumbo Acoustic/ Bass Guitar
When it comes to bass guitars Fender is simply one of the leaders of the pack. You will experience the history with every pop and slap of this mean machine! All you need do is dream and Fender will have your back. This bass is featured in a black finish! Features: Body Alder, (Precision Bass Body) Neck Maple Jazz Bass Neck, Modern ???????C Shape, (Satin Polyurethane Finish) Fingerboard Maple, (9.5 Radius/241 mm) No. of Frets 20 Medium Jumbo Frets Pickups 1 Standard Alnico Split Single-Coil Precision Bass Pickup (Mid), 1 Dual-Coil Ceramic Noiseless Jazz Bass Pickup with Nickel Plated Pole Pieces (Bridge) Controls Master Volume, Pan Pot, 3-Band Active EQ with: Treble Boost/Cut: +/- 10 db @ 8kHz, a shift in the cut frequency, and about a 2dB slope per octave. Mid Boost/Cut: +10dB, -15dB @ 500Hz, and a wide band slope. Bass Boost/Cut: +/- 12 db @ 40 Hz, with a 4dB slope per octave. Pickup Switching Pan Pot Bridge American Vintage Precision Bass Machine Heads Standard Hardware Chrome Pickguard 1-Ply Beveled Gold Vinyl Scale Length 34 (864 mm) Width at Nut 1.50 (38mm) Unique Features Side Mounted Jack
Click here to buy
More info: Fender Deluxe Active Precision Bass Guitar MN
Buddy Holly, Dick Dale, Jimi Hendrix, David Gilmour, Billy Corgan & The Standard Strat! More than any other electric guitar, the Fender Strat is all guitars to all people. Featuring a fast-action maple neck, gloss black finish, comfort-contoured body, three single-coil pickups and a standard synchronized tremolo, the Fender Stratocaster is known as both a working musician`s tool and as an international cultural icon. The contoured alder body fits comfortably against your ribs enabling you to play for hours on end, add a three-ply pickguard, maple neck with rosewood fretboard, Two-point synchronized tremolo which is one of the best modern designs, and three single coil pickups that deliver all the “spank” and “sparkle” you`d expect from a Strat, and you have a guitar that’s adaptable to almost any musical situation. The beauty of this guitar is the simplicity and practical engineering. The most amazing thing about this guitar is despite all the advancements in modern technology No one has been able to top the basic design. Leo Fender the ???????Henry Ford of guitars founded the first company to build a modular mass produced guitar. Fender`s early instruments were revolutionary, and their introduction contributed to the birth of something now commonplace: the “musical group”. Live performances up to this era had relied upon large bands and orchestras to fill concert halls. Now, armed with the proper instruments, bands or groups consisting of only 3 or 4 musicians could perform large venues. The “Big Band” era began to fade as musicians began to discover the Fender electric guitar and Fender bass. Released in 1954, Fender named his new creation the Stratocaster to invoke images of the high flying, supersonic jets filling America`s skies in the 1950`s. The modern Standard Strat incorporates several refinements into its timeless design, like hand-rolled fingerboard edges, five-way switching and a two-point synchronized tremolo along with a very reasonable price. Though the original Stratocaster was first introduced more than 50 years ago, it`s unquestionably more popular now than ever! It`s also available today in more configurations than Leo Fender ever dreamed of when he first designed it. The original Strat had three single coil pickups, so it was able to produce sounds that no other guitar could deliver, particularly once players discovered they could lodge the three-position blade switch in those “in-between” positions to access neck / middle and bridge / middle pickup combinations. These were often erroneously referred to as the “out-of-phase” settings. The Fender Standard Stratocaster comes with three sweet-sounding single coil pickups but with a five-position blade switch, making it a snap to access those glossy Strat sounds with a simple flick of the finger. Leo Fender wasn`t afraid to “think outside the box” when it came to guitar designs and guitarists of the world sure are thankful! Features: Alder Body Maple Neck, Mode
Click here to buy
More info: Fender Standard Stratocaster Electric Guitar RW
A reissue of the `64 classic. This is a great bass for smaller players or anyone who likes a lightweight instrument with a short, fast neck (30″ scale length). Featuring an alder body for a brighter bass tone, maple neck, and one split single-coil pickup to recapture the vintage sound that made this bass famous. This bass also has a rosewood fretboard with dot markers and nickel frets. Features: 30″ scale length Alder body Maple neck Split single-coil pickup Rosewood fretboard with dot markers and nickel frets
Click here to buy
More info: Fender Mustang Bass Guitar
A special edition, the Jazz Bass 24 features a 24-fret maple neck with rosewood fingerboard, sleek Jazz Bass body with a quilt maple top and Seymour Duncan Basslines pickups. Other features include Hipshot-licensed tuning machines, active electronics with ???????slap mid-scoop switch and a high-mass top loading bridge. This bass is featured in a cherry sunburst finish. Features: Body Alder with Quilt Maple Top Neck Maple, Modern ???????C Shape, (Satin Polyurethane Finish) Fingerboard Rosewood, (9.5 Radius/241 mm) No. of Frets 24 Medium Jumbo Frets Pickups 2 Seymour Duncan Basslines??????? Single-Coil Jazz Bass Pickups Controls Master Volume, Pan Pot, Duncan Designed BEQ3 3-Band Active EQ with: Treble Boost/Cut: +/- 15dB @ 5.1kHz, Mid Boost/Cut: +/- 14dB, -15dB @ 650Hz, Bass Boost/Cut: +/- 12dB @ 30 Hz, Mid-Scoop ???????Slap Switch: Bass Boost +5dB @ 83Hz, Mid Cut -5dB @ 633Hz. Pickup Switching Pan Pot Bridge 4-Saddle Steel Bridge Plate Machine Heads Hipshot Licensed Tapered Shaft Tuning Machines Hardware Chrome Plated Scale Length 34 (864 mm) Width at Nut 1.50 (38mm) Unique Features Quilt Maple Top, 9 Volt Power Supply, 5-Bolt Neck Plate, Contoured Heel for Easier Access to Upper Frets, White Pearloid Dot Position Inlays, Rolled Fingerboard Edges
Click here to buy
More info: Fender Jazz Bass 24 Guitar
This special price is for this item only. It was shown at a Trade Show and is in excellent condition. Fender picks only the best of the best when showing off their bass guitars. The time-tested features of our Standard Jazz Bass, combined with U.S. Deluxe pickups and active electronics give the Deluxe Active Jazz Bass some extra growl for the gig. This bass is featured with a black finish. Features: BODY Alder NECK Maple, Modern “C” Shape, (Satin Polyurethane Finish) MACHINE HEADS Standard FINGERBOARD Rosewood (9.5″ Radius/241 mm) NO. OF FRETS 20 Medium Jumbo Frets PICKUPS 2 U.S. Made Deluxe Humbucking Jazz Bass Pickups (Mid & Bridge) CONTROLS Master Volume, Pan Pot, 3-Band Active EQ with: Treble Boost/Cut: +/- 10 db @ 8kHz, a shift in the cut frequency, and about a 2dB slope per octave. Mid Boost/Cut: +10dB, -15dB @ 500Hz, and a wide band slope. Bass Boost/Cut: +/- 12 db @ 40 Hz, with a 4dB slope per octave. BRIDGE Standard Vintage Style PICKUP SWITCHING Pan Pot HARDWARE Chrome PICKGUARD 4-Ply Brown Shell SCALE LENGTH 34″ (864 mm) WIDTH AT NUT 1.5″ (38 mm) UNIQUE FEATURES U.S. Made Active Electronics
Click here to buy
More info: Fender Deluxe Active Jazz Bass Guitar RW
You’ll Be Amazed At The All Voices This Thing Has! A special edition, the Jazz Bass 24 features a 24-fret maple neck with rosewood fingerboard, sleek Jazz Bass body with a quilt maple top and Seymour Duncan Basslines pickups. Other features include Hipshot-licensed tuning machines, active electronics with ???????slap mid-scoop switch and a high-mass top loading bridge. This bass grabs alot of attention on stage even if you`re behind some people. The incredible, fluid neck, almost plays itself! Truckloads of punch emanate from the bright, clear and responsive Seymour Duncan Basslines??????? single-coil Jazz Bass pickups with EQ control. This bass is featured in a cherry sunburst finish, and sounds excellent through any bass amp! Features: Alder Body w/Quilt Maple Top Maple Neck, Modern ???????C Shape (Satin Polyurethane Finish) Rosewood Fingerboard (9.5 Radius/241 mm) 24 Medium Jumbo Frets Pickups 2 Seymour Duncan Basslines??????? Single-Coil Jazz Bass Pickups Controls: Master Volume, Pan Pot Duncan Designed BEQ3 3-Band Active EQ with: - Treble Boost/Cut: +/- 15dB @ 5.1kHz ????- Mid Boost/Cut: +/- 14dB, -15dB @ 650Hz - Bass Boost/Cut: +/- 12dB @ 30 Hz * Mid-Scoop ???????Slap Switch: - Bass Boost +5dB @ 83Hz - Mid Cut -5dB @ 633Hz Pickup Switching: Pan Pot Bridge: 4-Saddle Steel Bridge Plate Hipshot Licensed Tapered Shaft Tuning Machines Chrome Plated Hardware Scale Length: 34 (864 mm) Width at Nut: 1.50 (38mm) 9 Volt Power Supply 5-Bolt Neck Plate Contoured Heel for Easier Access to Upper Frets White Pearloid Dot Position Inlays Rolled Fingerboard Edges
Click here to buy
More info: Fender Jazz Bass 24 Guitar
The time-tested features of our Standard Jazz Bass, combined with U.S. Deluxe pickups and active electronics give the Deluxe Active Jazz Bass some extra growl for the gig. Features: BODY: Alder NECK: Maple, Modern “C” Shape, (Satin Polyurethane Finish) MACHINE HEADS: Standard FINGERBOARD: Pao Ferro (9.5″ Radius/241 mm) NO. OF FRETS: 20 Medium Jumbo Frets PICKUPS: 2 U.S. Made Deluxe Humbucking 5-String Jazz Bass Pickups (Mid & Bridge) CONTROLS: Master Volume, Pan Pot, 3-Band Active EQ with: Treble Boost/Cut: +/- 10 db @ 8kHz, a shift in the cut frequency, and about a 2dB slope per octave. Mid Boost/Cut: +10dB, -15dB @ 500Hz, and a wide band slope. Bass Boost/Cut: +/- 12 db @ 40 Hz, with a 4dB slope per octave. BRIDGE: Standard Vintage Style V PICKUP SWITCHING: Pan Pot HARDWARE: Chrome UNIQUE FEATURES U.S. Made Active Electronics
Click here to buy
More info: Fender Dlx Active 5 String Jazz Bass Guitar V PF
Inspired by some of the most legendary basses of all time! The ’50s Precision Bass features a maple neck, alder body and a split single-coil P Bass pickup. Other features include volume and tone controls, a gold anodized pickguard and vintage hardware. This bass is featured in a fiesta red finish. Features: Body Alder Neck 1-Piece Maple, ???????C Shape, (Polyurethane Finish) Fingerboard Maple (7.25 Radius/184 mm) No. of Frets 20 Vintage Style Frets Pickups 1 Precision Bass Split Single-Coil Pickup (Mid) Controls Volume, Tone Bridge American Vintage Precision Bass Machine Heads Vintage Style Reverse Tuning Machines Hardware Nickel/Chrome Pickguard Gold Anodized Aluminum Scale Length 34 (864 mm) Width at Nut 1.750 (44.5 mm) Unique Features Vintage Styling, Anodized Aluminum Pickguard
Click here to buy
More info: Fender ’50’s Precision Bass Guitar
The time-tested features of our Standard Jazz Bass, combined with U.S. Deluxe pickups and active electronics give the Deluxe Active Jazz Bass some extra growl for the gig. Features: Alder Body Maple Neck Rosewood (9.5″ Radius/241 mm) 20 medium jumbo frets SCALE LENGTH 34″ (864 mm) WIDTH AT NUT 1.5″ (38 mm) Chrome Hardware Standard Machine Heads Vintage Style Bridge 2 U.S. Made Deluxe Humbucking Jazz Bass Pickups (Mid & Bridge) Controls: Master Volume, Pan Pot, 3-Band Active EQ with: Treble Boost/Cut: +/- 10 db @ 8kHz, a shift in the cut frequency, and about a 2dB slope per octave. Mid Boost/Cut: +10dB, -15dB @ 500Hz, and a wideband slope. Bass Boost/Cut: +/- 12 db @ 40 Hz, with a 4dB slope per octave.
Click here to buy
More info: Fender Deluxe Active Jazz Bass Guitar RW
All-Killer And No Filler! Mike Dirnt and his band mates in Green Day almost single-handedly brought pop and punk to the masses in the ’90s. The new Mike Dirnt Precision Bass is as unique and cool as Green Day’s music and was designed to Mike’s own unique specifications. Mike’s bass was modeled after the Fender ‘51 P Bass, and features an ash, slab body with a ‘55 arm contour and pickguard. Other features include a thick, maple ???????C-shape neck modeled after Mike’s original ‘69 P Bass, Custom Shop ‘59 P Bass pickup, and a BadAss II bridge with chrome hardware. Very cool. Includes Fender deluxe gig bag. Features: `51 slab ash body with arm contour Maple Lite tinted, artist-shaped, maple neck with satin polyurethane finish Rosewood fingerboard 20 medium-jumbo frets 34″ scale length 1.590″ nut width Chrome hardware Bad Ass top-load bridge Custom Shop `59 pickup Volume and tone controls Includes Fender deluxe gig bag
Click here to buy
More info: Fender Mike Dirnt Precision Bass Guitar
The time-tested features of our Standard Jazz Bass, combined with U.S. Deluxe pickups and active electronics give the Deluxe Active Jazz Bass some extra growl for the gig. Features: MODEL NAME: Deluxe “Active” Jazz Bass SERIES: Deluxe Series BODY: Alder NECK: Maple, Modern C Shape, (Satin Polyurethane Finish) MACHINE HEADS: Standard FINGERBOARD: Rosewood (9.5 Radius/241 mm) NO. OF FRETS: 20 Medium Jumbo Frets PICKUPS: 2 U.S. Made Deluxe Humbucking Jazz Bass Pickups (Mid & Bridge) CONTROLS: Master Volume, Pan Pot, 3-Band Active EQ with: Treble Boost/Cut: +/- 10 db @ 8kHz, a shift in the cut frequency, and about a 2dB slope per octave. Mid Boost/Cut: +10dB, -15dB @ 500Hz, and a wide band slope. Bass Boost/Cut: +/- 12 db @ 40 Hz, with a 4dB slope per octave. BRIDGE: Standard Vintage Style PICKUP SWITCHING: Pan Pot HARDWARE: Chrome STRINGS: Fender Super Bass 7250ML, NPS, Gauges: (.045, .065, .080, .100), CASE: Deluxe Gig Bag PICKGUARD: 4-Ply Brown Shell SCALE LENGTH: 34 (864 mm) WIDTH AT NUT: 1.5 (38 mm) UNIQUE FEATURES: U.S. Made Active Electronics ACCESSORIES: Deluxe Gig Bag INTRODUCED: 1997
Click here to buy
More info: Fender Dlx Active 5 String Jazz Bass Guitar V PF
Fender is proud to present the Geddy Lee Limited Edition Jazz Bass, a replica of the instrument Geddy has used extensively for both recording and performing in front of thousands of loyal Rush fans worldwide. Featuring an alder neck and maple fingerboard (34″ scale length; 20 Medium Jumbo frets with black fingerboard binding), this J-Bass is custom-fit with two U.S. Vintage Bi-Pole pickups (neck & bridge), and a Bad Ass Bridge. Features: Alder Body Maple Neck Maple With Black Binding and Black Block Inlay Fretboard 20 medium jumbo frets SCALE LENGTH 34″ (864 mm) WIDTH AT NUT 1.5″ (38 mm) Chrome Hardware Vintage Style Machine Heads Leo Quann Badass II Bridge Vintage Jazz Bass Single Coils (Mid & Bridge) Volume 1. (Neck Pickup), Volume 2. (Bridge Pickup), Master Tone
Click here to buy
More info: Fender Geddy Lee Jazz Bass Guitar
This Jazz bass has tone tone tone!!! And neck is awesome! The Deluxe Active Jazz Bass guitar was designed with the gigging bass player in mind. This alder-body bass offers classic styling and modern features such as a comfortable C-shaped maple neck, four-ply brown shell pickguard on a brown sunburst finish, two dual-coil ceramic Noiseless??????? Jazz Bass pickups with nickel-plated pole pieces, and a three-band active EQ with treble, mid and bass boost/cut. Distinctively attractive looking with a clear, thunderous sound. This bass is featured with a Brown Sunburst. Features: Body Alder (Polyester Finish) Maple Neck, Modern ???????C Shape (Satin Polyurethane Finish) Rosewood Fingerboard, 9.5 Radius (241mm) 20 Medium Jumbo Frets Pickups: 2 Dual-Coil Ceramic Noiseless??????? Jazz Bass Pickups with Nickel Plated Pole Pieces Controls: Master Volume, Pan Pot, 3-Band Active EQ with: Treble Boost/Cut: +/- 10 db @ 8kHz, a shift in the cut frequency, and about a 2dB slope per octave. Mid Boost/Cut: +10dB, -15dB @ 500Hz, and a wide band slope. Bass Boost/Cut: +/- 12 db @ 40 Hz, with a 4dB slope per octave. Pickup Switching: Pan Pot Bridge: Standard Vintage Style Machine Heads: Standard Hardware: Chrome Pickguard: 4-Ply Brown Shell Scale Length: 34 (864 mm) Width at Nut: 1.50 (38mm) Unique Features: U.S. Made Active Electronics Deluxe Gig Bag
Click here to buy
More info: Fender Deluxe Active Jazz Bass Guitar RW
Has That Good ol’ Fender Feel! The Fender Highway One Precision Bass is an American made instrument, borrowing heavily from the successful formula of the Highway One Series guitars. The P Bass retains the same classic American styling and tone, with a 20-fret rosewood fretboard, and a traditional split single-coil Precision Bass pickup. Chrome hardware and a three-ply pickguard round out the offering. A deluxe gig bag is included. Great `70s styling, Badass Bass II??????? bridge and Honey Blond finish take this amazing bass to the next level. The thin nitrocellulose lacquer finish lets the body wood`s natural tone shine through, making for one of the most exciting bass guitars in the Fender family! When the Highway One Precision Bass guitars were introduced a few years back, they were hailed as one of the best bass deals ever from Fender. Made in Fender’s Corona, California, shop, they were priced substantially lower than any other American-made Fender bass, even though they were created in the same place. Highway One basses put American Fender quality within reach of many working musicians. Now the Highway One Precision Bass take the series to an even higher level with upgrades that any experienced bassist will immediately applaud. The signature feature that distinguished the original Highway One basses was their thin satin acrylic lacquer finish. The new Highway One instruments have been upgraded to a satin nitrocellulose lacquer finish. These days, most basses are finished with polyurethane. It’s easier to apply and more durable than nitrocellulose lacquer, but doesn’t look as good or age as nicely. Fender keeps cost down by applying a thinner lacquer coating, which also results in a very cool look, much like a vintage instrument. It allows the wood to resonate more freely and lets the beauty of the wood grain show through. This finish has a kind of Closet Classic effect. Straight off the shelf it looks like an instrument that has been aging unplayed for 10 years or so. It looks mellowed. Combined with the ’70s headstock logo design, it has a definite vintage vibe. The most obvious new feature on this bass is the bridge. Swapping out the Fender bridge for a more substantial one is the most common modification Fender players make on their basses. Fender has done it for you by equipping the Highway One models with a Badass??????? II bridge. It is made of brass, heavier than the Fender standard, and has grooved saddles. The result is better string stability and improved transfer of vibration. It makes the bass perform noticeably better with more sustain and greater clarity. Another feature added to each Highway One Bass is graphite stiffening rods in the neck. This is a standard feature in higher-end Fender instruments and a good one. The rods make the neck stronger and keep it straight and true. Fender maple necks aren’t prone to twisting or bending, but graphite rods reduce the possibility of it ever occurring. And the rods help eliminate
Click here to buy
More info: Fender Highway One Precision Bass Guitar RW
Get That Famous ???????Skinny Neck Jazz Bass You Always Wanted! The American made Highway One series features Great `70s styling, a Badass Bass II??????? bridge and a thin nitrocellulose lacquer finish that lets the body wood`s natural tone shine through. And the famous skinny neck, great for small hands. Made in Fender’s Corona, California, shop, they are priced substantially lower than any other American-made Fender bass, even though they are created in the same place. Highway One basses put American Fender quality within reach of many working musicians. Now the Highway One Jazz Bass take the series to an even higher level with upgrades that any experienced bassist will immediately applaud. The signature feature that distinguished the original Highway One basses was their thin satin acrylic lacquer finish. This Highway One Jazz Bass has been upgraded to a satin Black nitrocellulose lacquer finish. These days, most basses are finished with polyurethane. It’s easier to apply and more durable than nitrocellulose lacquer, but doesn’t look as good or age as nicely. Fender keeps cost down by applying a thinner lacquer coating, which also results in a very cool look, much like a vintage instrument. It allows the wood to resonate more freely and lets the beauty of the wood grain show through. This finish has a kind of Closet Classic effect. Straight off the shelf it looks like an instrument that has been aging unplayed for 10 years or so. It looks mellowed. Combined with the ’70s headstock logo design, it has a definite vintage vibe. The most obvious new feature on this bass is the bridge. Swapping out the Fender bridge for a more substantial one is the most common modification Fender players make on their basses. Fender has done it for you by equipping the Highway One models with a Badass II??????? bridge. It is made of brass, heavier than the Fender standard, and has grooved saddles. The result is better string stability and improved transfer of vibration. It makes the bass perform noticeably better with more sustain and greater clarity. Another feature added to each Highway One Bass is graphite stiffening rods in the neck. This is a standard feature in higher-end Fender instruments and a good one. The rods make the neck stronger and keep it straight and true. Fender maple necks aren’t prone to twisting or bending, but graphite rods reduce the possibility of it ever occurring. And the rods help eliminate dead spots too. The modern C profile neck and medium-jumbo frets are easier on your left hand and, if you play four-set gigs, you will appreciate that. Another little upgrade that adds to the Highway One playability is the Greasebucket??????? tone knob. Its operation is simple, it is designed to trim back highs without boosting the bottom end. By doing just one thing at a time, it makes tonal adjustments quicker and more certain. Features: Made In USA Highway One??????? Series Alder Body Satin Nitrocellulose Lacquer Body Finish Neck Maple,
Click here to buy
More info: Fender Highway One Jazz Bass Guitar RW
A truly professional single rack space tube preamp designed for bass! The TBP-1 is an artist-level piece at home on stage or in the studio. An interactive passive circuit delivers creamy tube tone that allows the color of the instrument to shine through. Features: Fender passive tone stack Tube overdrive section Vari-Q section Room Balance Master volume Jensen line out transformer Four-button footswitch Included ???????Overdrive, FX Loop, Vari-Q and Mute
Click here to buy
More info: Fender TPB-1 Tube Bass Pre-amp
Get That Famous ???????Skinny Neck Jazz Bass You Always Wanted! The American made Highway One series features Great `70s styling, a Badass Bass II??????? bridge and a thin nitrocellulose lacquer finish that lets the body wood`s natural tone shine through. And the famous skinny neck, great for small hands. Made in Fender’s Corona, California, shop, they are priced substantially lower than any other American-made Fender bass, even though they are created in the same place. Highway One basses put American Fender quality within reach of many working musicians. Now the Highway One Jazz Bass take the series to an even higher level with upgrades that any experienced bassist will immediately applaud. The signature feature that distinguished the original Highway One basses was their thin satin acrylic lacquer finish. This Highway One Jazz Bass has been upgraded to a satin Honey Blond nitrocellulose lacquer finish. These days, most basses are finished with polyurethane. It’s easier to apply and more durable than nitrocellulose lacquer, but doesn’t look as good or age as nicely. Fender keeps cost down by applying a thinner lacquer coating, which also results in a very cool look, much like a vintage instrument. It allows the wood to resonate more freely and lets the beauty of the wood grain show through. This finish has a kind of Closet Classic effect. Straight off the shelf it looks like an instrument that has been aging unplayed for 10 years or so. It looks mellowed. Combined with the ’70s headstock logo design, it has a definite vintage vibe. The most obvious new feature on this bass is the bridge. Swapping out the Fender bridge for a more substantial one is the most common modification Fender players make on their basses. Fender has done it for you by equipping the Highway One models with a Badass II??????? bridge. It is made of brass, heavier than the Fender standard, and has grooved saddles. The result is better string stability and improved transfer of vibration. It makes the bass perform noticeably better with more sustain and greater clarity. Another feature added to each Highway One Bass is graphite stiffening rods in the neck. This is a standard feature in higher-end Fender instruments and a good one. The rods make the neck stronger and keep it straight and true. Fender maple necks aren’t prone to twisting or bending, but graphite rods reduce the possibility of it ever occurring. And the rods help eliminate dead spots too. The modern C profile neck and medium-jumbo frets are easier on your left hand and, if you play four-set gigs, you will appreciate that. Another little upgrade that adds to the Highway One playability is the Greasebucket??????? tone knob. Its operation is simple, it is designed to trim back highs without boosting the bottom end. By doing just one thing at a time, it makes tonal adjustments quicker and more certain. Features: Made In USA Highway One??????? Series Alder Body Satin Nitrocellulose Lacquer Body Finish Neck M
Click here to buy
More info: Fender Highway One Jazz Bass Guitar RW
