
SELENIUM 12PW5 12-INCH RAW FRAM SPEAKER 300-WATTS This professional 12? woofer is designed to meet a variety of PA needs for small and medium-sized rooms, with excellent performance in the mid and low frequency ranges. For sound reinforcement in nightclubs, dancing halls, auditoriums, bands and also for studio monitors. Its great efficiency in sound reproduction is due to the excellent combination of the different components: The light cone manufactured with long fiber pulp together with a surround of impregnated fabric give the array great stability,high yield and low distortion. The voice coil is made of high temperature wire, wound on ? Kapton former. The epoxy painted reinforced steel frame provides the array with high mechanical resistance. The aluminum dust cap guarantees great voice coil heat dissipation. The use of highly resistant adhesives guarantees optimal cohesion and durability of components. Specifications: 8ohm - 300w RMS - 600w MAX Sensitivity 96db 3″ Voice Coil Frequency Response: 50- 4kHz 71oz Magnet Gross Weight: 12.35lbs FS 42Hz Qes .32 - QTS .31 - Xmax 3.7
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Alesis ProLinear 720 DSP Studio Monitor: Powered Compact Speaker Great sounding powered monitors from Alesis at an even more amazing price. You’ll dig the massive control options, digital readout and punchy power. The ProLinear 720 DSP comes with Alesis? custom DSP technology for sound quality and accuracy that is not available at anywhere near this price.? Clarity, imaging and transient response are truly outstanding. Bass is tight and visceral. The ProLinear 720 DSP compares favorably to some of the most popular monitors costing many times more. In addition to outstanding sound, the ProLinear DSP’s internal processing allows user flexibility to configure the speaker for almost any application via the front panel control or the included graphical PC application software.? Features: 2-way active DSP studio monitors Low frequency power: 80 watts RMS, 120 watts peak High frequency power: 40 watts RMS typical, 120 watts peak Frequency response: 50hz ? 20kHz Signal to noise ratio: > 90 dB A-weighted, analog in to analog out Digital crossover 4-band parametric EQ 8 presets and 8 user programs
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More info: Alesis 720DSP Proliniear Powered Monitor (Ea)

Hear your music, movies and video games the way they were meant to sound with the M-Audio Studiophile??????? AV 20 multimedia speakers. Built with the same M-Audio technology that professional recording studios have trusted for years, the AV 20 system provides an excellent audio upgrade for your computer. With internal amplification plus dedicated high- and low-frequency drivers, the AV 20 system lets you experience every detail of your sound. Custom cabinets with dense wood construction deliver a more accurate bass response than you could ever get from plastic multimedia speakers. And if you’re the creative type, the Studiophile AV 20 speakers are perfect for crafting your next remix, recording original tracks or adding music to a home movie.
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More info: M-Audio AV-20 Studiophile Reference Monitors 20W

PEAVEY 22XTKIT HIGH FREQ DRIVER DIAPHRAGM KIT The model 22XT Compression Driver represents another advancement in the state of sound reinforcement art. Utilizing the laste technological advances in adhesive and metallurgical science, the 22XT relies on an ultra-durable, aircraft-grade titanium diamphragm to produce crystalline highs and transparent, highly intelligible vocals. Each driver is subjected to a complete series of computer-based tests designed to ensure total adherence to specifications. The 22XT is a full 2-inch rigid diaphragm that, unlike some of the smaller-diaphragm titanium compression drivers, combines the low distortion and very high power handling expected in a large-diameter driver. The 500-Hz low-frequency cutoff takes the 22XT from the low vocal range to the limits of audibility. The 22XT is considered to be a “product upgrade” of the original 22T and 22A Compression Drivers and is utilized in many Peavey sound reinforcement/public address and specialty application enclosures. Features: Continuous Power Capacity: 40 watts Program Power Capacity: 80 watts Frequency Range: 500 - 20,000 Hz Size: 5.25″ x 3.28″ Weight: 5 lbs., 6 oz.
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More info: Peavey Replacement Diaphragm Kit for 22XT Driver

SAMSON DB-500A: 15-Inch 2-Way Powered Speaker Samson’s DB-500A has 500 watts ready to roll - the amplifiers built-in to the speaker enclosure. Features: 15″ woofer and 1.75″ Neodymium high frequency driver, aimed through a 1″ diameter horn 500 watts of Class H power (400 watts low frequency/100 watts high frequency) Built-in crossover designed for high SPL Exclusive Optimax signal processing circuitry provides total speaker protection but won’t cut the low end at high volumes, as similar speakers with sliding filters do XLR and 1/4″ inputs Size: 29.5″h x 18.75″w x 16″d. Wt. 61 lbs.
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FREE! Steel Speaker Stand with purchase (.99 Value) Add item above to cart to receive free gift at checkout YAMAHA SM15V: 15-Inch 2-Way Stage Monitor The Yamaha SM15V speaker is a full-range floor monitor with a trapezoidal design heavy duty black carpet covering, pole socket and steel grill. This wedge will really deliver strong bass and crisp highs with its 15" woofer and 2" tweeter. The larger enclosure provides improved low-frequency performance and the updated drivers mean higher power handling. Redesigned crossovers, a stronger grill and dual Speakon and 1/4" connectors round out the improvements. With professional features, excellent sonic performance and great value, the Yamaha Club Series loudspeakers deliver premium quality night after night. Features: Large trapezoidal enclosure for improved performance 15" woofer 2" tweeter diaphragm Frequency response: 55Hz - 16kHz Power handling: 500 watts program; 1000 watts peak (@ 8 ohms) Connectors: dual 1/4"; dual Speakon Sensitivity: 99db Size: 28" x 19" x 13". Wt. 57 lbs.
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AUDIO TECHNICA AT897 SHOTGUN MICROPHONE Audio-Technica?s AT897 is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic. Features: Designed for video production and broadcast (ENG/EFP) audio acquisition Short length (11″) ensures mic stays out of the shot — even when used with compact digital cameras Smooth, natural-sounding on-axis audio quality Provides the narrow acceptance angle desirable for long-distance sound pickup Excellent sound rejection from the sides and rear of mic Switchable low-frequency roll-off Operates on battery or phantom power
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More info: Audio Technica AT897 Shotgun Microphone (11In)

Sharing the same new technology that makes the SRM450v2 the breakthrough live performance powerhouse that it is, the ultra-compact SRM350v2 is perfect for when space is at a premium. The SRM350v2 whips live sound into complete submission, giving you more control over your shows than ever. Thanks to its all-new design???????from adding new amps and transducers to a new switching power supply???????the SRM350v2 surpasses the performance of the original SRM350 to deliver pure studio monitor sound at more powerful, full-on loudspeaker levels. It’s even more lightweight than before, making it ultra-portable. Mackie kept it ultra-affordable, too???????even though the SRM350v2 is a complete redesign from inside out, it retained a musician-friendly price tag. With the SRM350v2, live never sounded so good ???????or behaved so well. Features: 2-way bi-amplified, optimized Active loudspeaker system High-output, titanium dome compression driver 10″ Neodymium long-throw low frequency transducer 165W class-D, Fast Recovery LF amp / 30W HF amp Ultra-wide, smooth dispersion via HF waveguide Built-in phase accurate 24dB Linkwitz-Riley electronic crossover Electronic time correction, phase alignment and EQ for studio quality sound Mic/line input and pass-thru connector Lightweight for ultimate portability (26 lbs) Flyable, Pole mountable, Floor wedge-able The ???????SRM Stands for Sound Reinforcement Monitor Over a decade ago, Greg Mackie and a dedicated team of engineers set out to create a portable loudspeaker that could deliver studio monitor sound quality. Unlike a relatively small, acoustically controlled studio where the ???????sweet spot is well defined, live venues vary greatly, and most are far from acoustically balanced. Despite the challenges, after two years of extensive research and development, the first Sound Reinforcement Monitor was born???????a loudspeaker that truly lived up to its name. The SRM350v2 continues the SRM350’s tradition of studio monitor sound quality???????and trumps it???????to deliver sound that makes any venue seem like a well-tuned studio. Ultra-Wide Dispersion Undoubtedly you’ve been to a show where the sound is all over the map???????stand in front of the band, it sounds okay, but move a little to your left or right and all of a sudden you’ve got mud in your ears. When the SRM350v2 loudspeakers are on stage, no matter where you stand, you hear sound with impeccable stereo imaging, depth of field and definition???????at full-on loudspeaker levels. This is due to the SRM350v2’s wide dispersion pattern, which is achieved through its High Frequency waveguide. Professional Grade Transducers The SRM350v2 has sounds even better than the original, in part, because of it’s premium transducers. The new 10 neodymium woofer has less mass and quicker response providing incredibly punchy response from such a small loudspeaker. Not to mention it is much lighter than a traditional ceramic ma
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More info: Mackie SRM-350-V2 10in 2-Way Active Loudspeaker

AUDIO TECHNICA AT825 ONE POINT STEREO MICROPHONE Designed for broadcast, professional recording, and DAT field use, Audio-Technica’s compact, lightweight AT825 is perfect for camera-mount applications. The microphone is equipped with two balanced outputs for use with professional audio and video equipment. Its closely matched elements provide the spatial impact and realism of a live sound field. With switchable low-frequency roll-off the versatile AT825 operates on either battery or phantom power. Features: Designed for broadcast and professional recording, and DAT field use Compact, lightweight design is perfect for camera-mount applications Closely-matched elements provide the spatial impact and realism of a live sound field Switchable low-frequency roll-off Operates on battery or phantom power Includes a 16.5′ (5 m) cable (5-pin XLRF to two standard 3-pin XLRM connectors)
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Features new improved low noise mic preamps, multi point clip sampling and a new subsonic filter to prevent low frequency power robbing. New graphic equalizers have multi-Q bandwidth to allow some filters to perform feedback control while others perform tone control and have Peavey’s patented FLS (Feedback Locating System). Features 2×300 watts per channel at 4 ohms 8 improved, low-noise mic preamps 10 line inputs 48V phantom power 3-band EQ, monitor send and effects send on each channel 25 dB pad on channels 1-6 Signal and Clip indicator on each channel Dual Main or Main/Mon power amp mode switch Dedicated 7-band graphic for mains and monitors with FLS(R) DDT(TM) speaker protection DSP based effects with parameter control Channel mute switch Rugged plastic case Weight Unpacked: 38 Width Unpacked: 21 Depth Unpacked: 12.375 Height Unpacked: 12 Weight Packed: 44 Width Packed: 25.5 Depth Packed: 17.625 Height Packed: 17.5
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DBX 120A SUBHARMONIC SYNTHESIZER: Rattle The Foundation With Throbbing Low End Why just rock the house when you can rattle the foundation loose. The dbx 120A Subharmonic Synthesizer is designed to add throbbing low-end bass to systems in clubs, studios and on the road. For decades, the patented dbx Subharmonic Synthesis has been the secret weapon used by mobile DJs and film and sound professionals to produce an impact unavailable from any other device unique because the dbx process actually produces a new, waveform modeled bass note, exactly an octave below the bass in the original audio. The dbx 120A Subharmonic Synthesizer with modeled waveform Synthesis has been specially optimized by dbx engineers for the needs of audio professionals. Its two separate bands of bass synthesis provide the best combination of smoothness and control, and the independent low frequency boost circuit is designed to get the most out of high-performance low frequency speaker systems. Flexible system interfacing is achieved by providing both 1/4" and RCA input connectors, along with main outputs which can be full range (including synthesis) or high frequency only, along with a separate subwoofer output with its own level control. The 120A’s patented subharmonic synthesis process actually builds the synthesized waveform using the wave shape of the original bass material. Unlike other attempts at bass synthesis, the dbx process produces smooth, musical low frequencies that don’t interfere with mid and high-band information, even when maximum synthesis and boost are applied. The result is a low-end punch that people really feel, even at system levels that won’t destroy sound equipment or damage hearing. Features: Subharmonic synthesis creates new bass waveform to enhance bass audio material Ideal for nightclubs, dance mixing, theaters, film/tv, studios and live Individual control for two ranges of subharmonic frequencies Separate low frequency boost circuit Separate subwoofer output 1/4" balanced inputs and outputs RCA input connectors Front panel LEDs that show crossover status and synthesis activity Patented circuitry ensures that mid and high frequencies are not affected Built-in crossover with choice of 80Hz or 120Hz crossover point
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PEAVEY KOSMOS-V2 STEREO IMAGING PROCESSOR The Kosmos? Pro is an innovative low frequency energy and stereo image enhancement system that produces a planet-rattling low end while adding clarity and definition to enhance the performance of any sound system. Features: Separate In/Out level controls (controls levels to match use) Switchable In/Out meters (makes matching levels very simple and accurate) Quake Level and Dynamics cotrols Sub-terranean Shift? Thud? Level & Deeper switch Xpanse? level and Barometric Shift controls Stratosphere control Independent subwoofer out level control 1/4 inch and XLR In/Out SPDIF digital In/Out Single-rack-space design Internal power supply Size: 19″ W x 1.75″ H x 9″ D Weight: 7.8 lbs.
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FREE! Steel Speaker Stand with purchase (.99 Value) Add item above to cart to receive free gift at checkout YAMAHA SM12V: 12-Inch 2-Way Stage Monitor The Yamaha SM12V speaker is a full-range floor monitor with a trapezoidal design, heavy duty black carpet covering, pole socket and steel grill. This cabinet can really crank it up with its 12" woofer and 2" tweeter. The larger enclosure provides improved low-frequency performance and the updated drivers mean higher power handling. Redesigned crossovers, a stronger grill and dual Speakon and 1/4" connectors round out the improvements. With professional features, excellent sonic performance and great value, the Yamaha Club Series loudspeakers deliver premium quality night after night. Features: Large trapezoidal enclosure for improved performance 12″ woofer 2" tweeter diaphragm Frequency response: 60Hz - 16kHz Power handling: 400 watts program; 800 watts peak (@ 8 ohms) Connectors: dual 1/4"; dual Speakon Sensitivity: 97dB Size: 25" x 16" x 14". Wt. 43 lbs.
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M-AUDIO BX5A Studiophile Monitors - Pair These are great reference monitors sporting technology usually reserved for monitors bearing a much higher price tag. Features: 2-way magnetically shielded studio reference monitors Bi-amped power - 70 watts total 5" Kevlar low frequency drivers 1" natural silk high frequency drivers XLR balanced and 1/4" balanced/unbalanced inputs
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TAPCO S8 Powered Monitor Speakers- Pair The Tapco S8 speakers are the loudest, most accurate 8" active studio monitor in their class, with a big low-end response especially well suited to modern rock, hip-hop and dance music styles. Compare to the competition and hear for yourself. The S8 gives you more of a very good thing. Features: Mackie-designed active desktop monitors with dual high-precision internal amplifiers 60 watt x 60 watt (100 watt x 100 watt peak) 8" woofer delivers big, punchy low-end especially suited to modern rock, hip-hop, dance music production 1" waveguide-loaded silk dome tweeter with exceptional stereo imaging for smooth, non-fatiguing mix sessions Low frequency boost and high frequency boost/cut controls allow for acoustic tailoring to different rooms Balanced TRS/XLR and unbalanced RCA inputs Magnetically shielded, can be placed next to your CRT monitor Outperforms other 8" active monitors in its class Size: 11.3"h x 7.6"w x 9.1"d. Wt. 17 lbs.
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AUDIO TECHNICA ONE POINT STEREO MICROPHONE W/XLR With a compact, lightweight design, the AT822 is ideal for DAT recording as well as television, FM and field applications. The microphone is equipped with unbalanced outputs for use with readily available audio and video equipment. Its closely matched elements provide the spatial impact and realism of a live sound field. The mic offers excellent channel separation and switchable low-frequency roll-off. Features: Ideal for DAT recording as well as television, FM and field applications Compact, lightweight design is perfect for camera-mount use Closely-matched elements provide the spatial impact and realism of a live sound field Excellent channel separation Switchable low-frequency roll-off Includes a 1.7′ (0.5 m) cable (XLRF-type to stereo 3.5 mm mini-plug); and a 10′ (3 m) cable (XLRF-type to two mono 3.5 mm mini-plugs) Battery operation only
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More info: Audio Technica One Point Stereo Microphone W/Xlr

Line & Gradient Condenser Microphone Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT815b provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations. Features: Designed for professional recording, broadcasting and film/TV/video production Provides the narrow acceptance angle desirable for long-distance sound pickup Excellent sound rejection from the sides and rear of mic Switchable low-frequency roll-off Operates on battery or phantom power
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AUDIO TECHNICA BLACK MINI CONDENSER MICROPHONE Maintaining the Audio-Technica tradition of clear and transparent sound quality, the U853A cardioid condenser hanging microphone is ideal for speech, theater, orchestra and choir sound reinforcement and recording. The microphone’s fast transient response and low distortion characteristics allow every complex detail to be heard with all its impact?rich, vibrant qualities faithfully reproduced. Equipped with UniGuard? innovations that offer unsurpassed immunity from radio frequency interference, the U853A accepts interchangeable elements, available in cardioid, hypercardioid, omnidirectional and UniLine? line cardioid polar patterns. The battery- or phantom-powered microphone also offers an 80 Hz low-cut UniSteep? filter that reduces pickup of low-frequency ambient noise. Features: Designed for suspension over choirs, instrumental groups and theater stages Superior off-axis rejection for maximum gain before feedback UniGuard? RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI) UniSteep? filter provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality Accepts interchangeable elements to permit angle of acceptance from 90? to 360? Low-profile design with low-reflectance finish for minimum visibility Operates on battery or phantom power
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Need to upgrade? Have all the power you need but still feel something is missing? Chances you’re missing what club owners have known all along. You need that sub-bass B-O-O-M! Reach down to that low 20hz range with clean, tight, true bass sound only with the new VocoPro Sub-1200. The only sub-woofer system designed for live Karaoke music and digital home-theater. So feel that low-end impact the next time you play your favorite song or movie. You’ll be adding more depth to your sound and your performance will become more alive. Don’t just take our word for it, take the new SUB-1200 home today and try it out for yourself. 120 Watts of booming bottom-end bass sound! 12″ Long-Throw woofer to reproduce low frequency’s 2 Large Ports to release acoustic energy for Lower Frequency Response Small footprint design for easy placement Super Low Frequency to 20hz Tight, clean, Accurate Sound and Lower Distortion Looks Great… Sounds Great! Dimensions: 20 3/4 ” (W) x 21″ (D) x 21″ (H) Shipping Weight: 46 Lbs. Suggested Retail Price: $ 339.00 USD
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More info: Vocopro SUB1200 12In Powered Subwoofer

SAMSON RESOLV-120A Active 120 Watt Subwoofer Add bass to your monitoring system with this 10″ active subwoofer system. Features: 120 watt low frequency amplifier Heavy-duty 10″ woofer Freq. response: 40-180Hz Active crossover Phase switch Auto sleep mode Mute switch jack Size: 14.75″w x 14.75″h x 17.125″d. Wt. 35 lbs.
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More info: Samson RESOLV-120A 10 Studio Subwoofer (Each)

YAMAHA SUBKICK LOW FREQ CAPTURE DRUM MICROPHONE Yamaha Drum artist Russ Miller had the idea of taking old studio technology and packaging it in a unit that can be used in the studio or on the road. The SKRM-100 Subkick is a low-frequency capture device that picks up the low frequencies (100Hz-2000Hz) that a normal microphone can’t. When used in conjunction with a normal internal microphone (for the attack), your kick drum has a jaw-dropping bottom end like you’ve never heard before. 6.5″ Speaker/Diaphragm We took a 6.5″ speaker and shock-mounted it into a 10″ drum shell and reverse-wired it to an XLR jack to convert the speaker diaphragm into a microphone diaphragm. This allows Subkick to pick up the low-end that a normal microphone can’t. 10″ x 5″ Birch/Mahogany Shell Mounting the speaker into the shell focuses the sound to direct the signal into the diaphragm. Using our shell makes the Subkick as easy to use on the road as it is in the studio and it looks great with any drum kit. Comes with specially designed stand Subkick has our tom-mounting bracket mounted directly to the shell. This mounts to a CL-940 ball clamp that slides into the base of a double braced 800 series snare stand. Multiple Applications The flexibility of the stand allows you to use the SKRM-100 for a variety of applications in live or studio situations. It can be used in conjunction with an internal microphone on bass drums and floor toms, djembe, bass guitar cabinets, pianos?your imagination is the only limitation.
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More info: Yamaha SUBKICK Low Freq Capture Drum Microphone

MONSTER SPEAKER CABLE: 50 FT Speakon To Speakon This speaker cable captures and reproduces every detail; the raw essence and intricate beauty of every take. SP1000 series cable can help you get there with the most advanced technologies including a heavy-gauge bass control conductor for tight, punchy bass and incredible dynamics. Patented time correct windings create phase-aligned signal for the most natural, pristine sonic reproduction possible. Heavy gauge copper maximizes power delivery and dynamic range. So the next time you record or playback, SP1000 will deliver every note with greater clarity and natural tonal balance. Features: 50 FT Speakon to Speakon speaker cable Precision time correct windings with separate wire networks provide excellent soundstage performance Heavy-gauge bass control conductor for improved low frequency punch and dynamics Magnetic Flux Tube improves bass response and natural sonic characteristics Extra-flexible Duraflex outer jacket for superior reliability and cut resistance
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TAPCO by Mackie S-5: Active Desktop Studio Monitors The incredible little S-5 active desktop studio monitors, from TAPCO by Mackie, offer rich accurate sound in a surprisingly compact package.?What does the ?S? stand for in S-5? How about ?smooth,? ?satisfying? and ?superior,? just to name a few of the appealing characteristics. These ulta-affordable and surprisingly punchy speakers offer exceptional near-field monitoring with 120 watts of bi-amped power, a 5.25" woofer and a 1" silk dome tweeter. Features: Mackie-designed active desktop monitors with dual high-precision internal amplifiers Low frequency power: 60 watts (100 watts peak) High frequency power: 60 watts (100 watts peak) 5.25" woofer delivers punchy bass output and extremely detailed midrange 1" waveguide-loaded silk dome tweeter for smooth, non-fatiguing mix sessions Low-freqency boost and high-frequency boost/cut controls allow for acoustic tailoring Balanced TRS/XLR and unbalanced RCA inputs Frequency response: 64Hz - 20kHz Size: 11.3"h x 7.6"w x 9.1"d. Wt. 15.5 lbs.
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More info: Tapco S5 Powered Monitor Speakers (Pair)

EVENT ALP-5 BI-AMP DIRECT FIELD STUDIO MON (PAIR) With Events ALP5, you’ll hear is exceptional midrange clarity?a function of the time-corrected baffle design; superb stereo imaging?the result of precise phase alignment between the low and high frequency drivers; bigger low end and louder playback than you believed possible from such compact monitors. So if you thought pro monitors were beyond your reach; if you thought that getting on the same playing field as Grammy winning multi-platinum producers and engineers was just a pipedream; if you thought you had to settle for Brand X just because your buddy did, think again: ALP5 has arrived. The molded baffle’s time and phase-corrected design incorporates waveguide technology to give the ALP5 superb stereo imaging and exceptional midrange clarity. The large diameter low-air-restriction bass port (above, right) helps the ALP5 deliver maximum low frequency response. Specifications: Low Frequency Driver: 5.25″ magnetically shielded mineral-filled polypropylene cone with high temperature voice coil and damped rubber surround High Frequency Driver: 1″ magnetically shielded soft dome neodymium radiator with ferrofluid-cooled voice coil Frequency Response: 53Hz - 20kHz, ?3dB, Ref 500Hz Crossover: 2.6kHz active fourth-order Amplifier Power: 50W LF Driver / 30W HF Driver Noise: >100dB below full output, 20Hz - 20kHz bandwidth, unweighted Input Connectors: XLR and 1/4″ connectors, accept balanced or unbalanced sources; RCA connector, accepts unbalanced sources Protection: RF interference, output current limiting, over temperature, turn-on/off transient, subsonic filter, internal mains fuse
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More info: Event Alp-5 Bi-Amp Direct Field Studio Mon (Pair)

TURBOSOUND TXD-12M 12IN 2-WAY MONITOR 600W @ 8OHMS Compact passive 2-way floor monitor with a 12″ low frequency driver and a 1″ high frequency compression driver on a 40H x 70V high frequency horn in a symmetrical, low profile enclosure. Includes two stage high frequency protection system to guard against HF driver overload. Constructed from birch plywood, fitted with flush handles, pole mount socket, rubber feet and two Speakon NL4MP connectors. Features: Compact floor monitor Symmetrical cabinet For Live Sound/Mobile DJ applications and fixed installations 600 watts program 128 dB max SPL (peak)
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MARSHALL MXL 604 INTRUMENT MIC OMNI DIRECTIONAL The MXL 604 is the latest in quality instrument microphones. Using transformer-less FET circuitry and a 20mm gold diaphragm capsule design, The 604 delivers the dynamic range required in the most demanding instrument miking applications. It features; -10dB switchable attenuation; selectable low-frequency roll-off; and an interchangeable omni-directional capsule making the the 604 perfect for acoustic guitar, ambient and overhead drum miking. The 604 exhibits low noise characteristics with a wide dynamic range. Includes Deluxe wooden storage case, mounting clip, foam windscreen, 20mm gold cardiod and omni-directional capsules.
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Features: Specially wound high purity copper stranding for greater clarity and wider dynamics Patented Bandwidth Balanced? multiple-gauge wire networks separate high and low frequency wire networks Nitrogen gas-injected dielectric insulator delivers maximum video signal strength for the clearest, sharpest picture possible Delivers digital high-definition video (720p/1080i/1080p) and ultra-realistic digital surround sound 24k gold contact RCA connectors
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More info: Monster GLX360VGA1 10Ft DB15 A/V Kit

ALESIS Monitor-1-MK2 Studio Monitors The Alesis Monitor-1-MK2 system is designed for the digital music studios of today. Features: Near field for close-up audio listening Accurate reproduction & clear imaging Powerful 6.5″ low frequency driver 120-watt power handling (200 watts peak) Frequency response of 45 Hz-20 kHz Size: 15″h x 10″d x 8.5″w. Wt. 15 lbs. ea.
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More info: Alesis MONITOR-1-MK2 Studio Monitors (Pair)

M-AUDIO BX8A Studiophile Monitors - Pair These are great reference monitors sporting technology usually reserved for monitors bearing a much higher price tag. Features: 2-way magnetically shielded studio reference monitors Bi-amped power - 130 watts total 8" Kevlar low frequency drivers 1" natural silk high frequency drivers XLR balanced and 1/4" balanced/unbalanced inputs
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More info: M-Audio BX8A 8 Powered Monitor Speakers (Pair)

Fostex strive to design and build studio monitoring systems which enable you to experience your unique sound in all its dimensions. And through tireless research and development, endless measurements and real-world listening tests, Fostex’s engineers have achieved this in the form of the beautiful second generation PM-Series. Capitalizing on Fostex’s supreme knowledge of acoustics and speaker engineering, and now offering a brighter, tighter sound, these studio monitors are designed inside out to providethe best monitoring experience, with minimal resonance, sparkling highs and rich, deep lows. And, with new ‘high-gloss’ front baffles, they look as stunning as they sound. PM0.5 Sub MKII Designed ideally for use with the PM0.5, the 110 watt, 200mm driver PM0.5-Sub produces precise, low frequency reproduction and an excellent deep bass output. Easy to set-up (just a single gain control and phase reverse switch), the combination of a pair of PM0.5’s and PM0.5-Sub provides superb sonic quality at an affordable price. Main Features The addition of the 110 watt powered PM0.5-Sub MkII to a pair of PM0.5 MkII speakers greatly expands the frequency range down to as low as 25Hz without distortion. Ideal for applications where clear, precise, ‘full-spectrum’ audio and flexible monitoring are required. - A combination of power and accuracy that will satisfy even the most discerning user.
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More info: Fostex PM05-MKII 5in Active Studio Monitors Pair

Live! 1215 - Active PA Cabinet with 2 x 15″ Drivers The highest quality components and exceptional engineering make Samsons new Live! Active PA enclosures, a great choice for the small to medium loudspeaker system. Ideal for portable or club installation applications, the Live! series offers all-plywood construction for great sound and professional looks. Every loudspeaker boasts impressive performance and durability with custom designed, high power-handling speaker components, advanced amplifier design, separate speaker processing for both highs and lows and EQ sections designed specifically for the speakers. Ideal for house of worship, club installation or live music applications, the Live! Series from Samson offers a great choice in high performance PA in a wide range of configurations. Features: Two-way bi-amped active loudspeaker system 500 Watts RMS total power (LF 400 watts + HF 100 watts) Two Custom designed, heavy-duty, 15-inch low frequency drivers with 3-inch voice coil 44 mm titanium compression driver with 1-inch exit Dual limiter speaker processing All plywood construction XLR 1/4-inch combo Line input with level control XLR Extension jack with Mix/Thru switch
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More info: Samson Live!1215 Dual 15-In 2-Way Active Spkr 500W

SELENIUM 15PW5 15-INCH RAWFRAME WOOFER 350W This professional 15? woofer is designed to meet a variety of PA needs for small and medium-sized rooms, with excellent performance in the mid and low frequency ranges. For sound reinforcement in nightclubs, dancing halls, auditoriums, bands and also for studio monitors. Its great efficiency in sound reproduction is due to the excellent combination of the different components: The light cone manufactured with long fiber pulp together with a surround of impregnated fabric give the array great stability, high yield and low distortion. The voice coil is made of high temperature wire, wound on ? Kapton former. The epoxy painted reinforced steel frame provides the array with high mechanical resistance. The aluminum dust cap guarantees great voice coil heat dissipation. The use of highly resistant adhesives guarantees optimal cohesion and durability of components Specifications: 8ohm - 350w RMS - 700w MAX Sensitivity 98db 3″ Voice Coil Frequency Response: 40 - 3kHz 86oz Magnet Weight: 17.93lbs FS 40Hz Qes .41 - QTS .40 - Xmax 5.7
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More info: Selenium 15PW5 15-Inch Rawframe Woofer 350W

Live! 1212 - Active PA Cabinet with 2 x 12″ Drivers Samsons new Live! Active PA enclosures bring the highest quality design and components to the small to medium loudspeaker system. High power-handling speaker components, advanced amplifier design, separate speaker processing for both highs and lows and EQ sections designed specifically for the speakers, mean that every loudspeaker has impressive performance and durability - perfect for portable or club installation applications. And all-plywood construction means great looks as well as great sound. Available in a wide range of configurations, the Live! series from Samson is a great choice for high performance PA. Features: Two-way bi-amped active loudspeaker system 500 Watts RMS total power (LF 400 watts + HF 100 watts) Two Custom designed, heavy-duty, 12-inch low frequency drivers with 3-inch voice coil 44 mm titanium compression driver with 1-inch exit Dual limiter speaker processing All plywood construction XLR 1/4-inch combo Line input with level control XLR Extension jack with Mix/Thru switch
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More info: Samson Live!1212 Dual 12-In 2-Way Active Spkr 500W

FREE! Steel Speaker Stand with purchase (.99 Value) Add item above to cart to receive free gift at checkout For every musician, DJ, venue and audio/video provider, high-performance self-powered speaker systems offer a degree of simplicity unmatched by traditional amp and speaker PA systems. Not only are all components matched right out of the box, but they are optimized for maximum reliability. By considering every element in each system and its contribution to the final application PRX500 Series redefines high performance portable PA. Through design, PRX500 Series delivers the power, performance and simplicity you need in a package that’s been designed to move. PRX512M is the most compact and versatile speaker in the PRX500 Series. It has been designed to deliver the most performance for its weight and size as both a stage monitor and a front of house main PA. Features: Dual angle enclosure for both front-ofhouse and floor monitor applications Optimized EQ for monitor or front-ofhouse applications JBL Differential Drive woofer 1.5″ annual polymer diaphragm compression driver Class-D, Crown digital amplifier: lightweight, compact, multi channel, heritage DSP input section, crossover, dynamic limiting, component optimization, selectable system EQ Professional XLR line and 1/4″ Mic/Instrument inputs, with loop through Illuminated logo for clear Power-On status Dual angle pole mount socket DuraFlex??????? coated plywood construction Specifications: Frequency Range: 46 Hz ??????? 20 kHz Frequency Response: 76 Hz ??????? 20 kHz Nominal Impedance: 64 K Ohms (balanced), 32 K Ohms (unbalanced) Power Capacity: 500 W continuous, 1000 W peak Rated Maximum SPL: 133 dB SPL peak Coverage Pattern: 70???? x 70???? nominal Dimensions (H x W x D): 650 mm x 380 mm x 350 mm (25.5 in x 15 in x 14 in) Weight: 18 kg (40 lb) High Frequency Driver: 1 x JBL 2408F 37.5 mm (1.5 in) annular polymer diaphragm, neodymium compression driver Low Frequency Driver: 1 x JBL 262F 380 mm (12 in) Differential Drive woofer PRX512M is the most compact and versatile speaker in the PRX500 Series. It has been designed to deliver the most performance for its weight and size as both a stage monitor and a front of house main PA. Two user selectable EQ settings are provided to optimize the system for either application. With a dual socket pole mount the PRX512M is a perfect match with a PRX518S subwoofer, offering a high performance self-powered sub/sat system. The PRX512M is a self-powered, lightweight two-way multipurpose loudspeaker system. The PRX512M is comprised of a 262F 305 mm (12″) Differential Drive woofer, a 2408H 37.5 mm (1.5 in) annular polymer diaphragm, neodymium compression driver mounted to a 70???? by 70???? horn, all driven by a multichannel Crown International Class-D digital power amplifier. A propriety DSP c
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More info: JBL PRX512M 12In 2-Way Powered Stage Monitor

YAMAHA MSR800W: Powered 15" Subwoofer This Yamaha sub packs tons of low frequency punch! If you’ve ever put together a high-performance sound system, you know that it involves careful amplifier and speaker matching and configuration. Yamaha has taken care of that so you can get directly to great sound. The MSR800W powered sub can be used to build any sound system from modest to massive. Plus, it’s so attractive that it can be placed as-is in many permanent installations without requiring any cosmetic cover-up. Of course, the MSR800W is rugged enough for the road, too. This powered subwoofer has 500 watts driving the 15" low frequency loudspeaker. It delivers those coveted 40Hz-120Hz frequencies with precision and authority. The perfect go-with for the MSR800W is the Yamaha MSR400 2-way powered system. It can be stacked or pole-mounted on the MSR800W subwoofer. Features: Powered subwoofer with a 15" LF driver Built-in amp with 500 watts RMS Frequency response: 40Hz - 120Hz Connectors: 2 x XLR
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More info: Yamaha MSR800W Powered Sub 15 800 Watts

With more and more recording studios mixing to 5.1 and 7.1 surround sound, the need arose for a studio monitor that could handle some serious multi-tasking. Say hello to the Mackie HR626 - a THX-approved, 2-way Active reference monitor that provides the same accuracy of Mackie’s HR824. When placed vertically, the HR626 has the same great sound and similar frequency response as our legendary HR824, with a smaller footprint. Also, due to its symmetrical left-right sound field, the Mackie HR626 is perfect as a center channel monitor for surround sound mixing or for high-end home theater applications. With extremely even dispersion for a wide “sweet spot” and user-adjustable controls for a variety of acoustic spaces, the HR626 is found in hundreds of professional studios and in the home studios of top recording artists. D’APPOLITO DESIGN? Some years ago, renowned audio engineer Joe D’Appolito started placing a single woofer on each side of the HF transducer, and using a third-order (or higher) crossover in his designs. The end result - proper phase control of the loudspeaker and the low frequency response was extended. Mackie decided to use Joe’s design principles for one simple reason-they work! That’s why the Mackie HR626 has a 6.7″ woofer on each end of the cabinet with a waveguide-loaded dome tweeter stuck right the center. The HR626 is the first Mackie Active studio monitor to incorporate D’Appolito design. MACKIE ACTIVE DESIGN The 100- and 40-watt FR (Fast Recovery) Series amplifiers inside the HR626 are clean, ultra-reliable - and most importantly, were specifically designed for these drivers. Mackie’s amps can drive these custom-tailored transducers to their limits without pushing them over the edge. Add to this Mackie’s phase- and time-correction crossover and you’ve got one excellent sounding Active monitor. Frequency response is verifiably “ruler-flat” from 42Hz to 20kHz, with a 3dB down point at 40Hz. The Mackie HR626 is ideal for those who need lots of bottom-end and high-resolution midrange for mixing and vocal placement. THUMPIN’ BASS Ask any bass player and they will tell you that smaller speakers respond to transient attacks much more quickly than their huge counterparts. (As long as they are designed to handle bass frequencies, that is.) That having been said, instead of using a single large woofer in the HR626, Mackie chose to use two of their powerhouse 6.7″ transducers (the same ones used in the HR624). Not only does this help the HR626 meet the D’Appolito design concept, dual LF drivers also move a larger column of air. Add to this Mackie’s mass-loaded, rear-firing passive radiator and you’ve got extended low-end that just won’t quit. WAVEGUIDE-LOADED TWEETER That unusual looking tweeter is actually Mackie’s waveguide-mounted 1″ aluminum dome HF transducer. (Try to say that five times fast.) The logarithmic waveguide works with the tweeter to ensure accurate, even dispersion of the high-frequency content, creating a
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More info: Mackie HR-626 Dual 2-Way Studio Monitor