The first of its kind. Belkin’s TuneStudio for iPod is the first 4-channel audio mixer that lets you create high-quality digital recordings directly onto your iPod. This mixer allows the input of up to four different instruments or audio sources, and records the audio onto your iPod for instant playback. TuneStudio is compact, portable, and tough enough to withstand life in on the road. Bands can easily attach instruments and microphones to TuneStudio and record jam sessions directly onto an iPod. Podcasters can also use this device to record their shows either in a studio or on location. Features: Records directly to iPod in 16-bit, 44kHz quality Streams audio through built-in USB interface to and from a PC or Mac computer Each channel is equipped with 3-band EQ, pan and level controls Phantom-power-enabled XLR inputs provide up to 60 dB of microphone gain High-quality stereo compressor with makeup gain enhances audio dynamics and keeps audio levels within recording limits of the iPod Features one-knob compression control LEDs indicate master audio level, power status, peak indication, compressor TuneStudio is currently compatible with: iPod classic: 80GB 160GB iPod nano (3rd generation): 4GB 8GB iPod 5th generation (video): 30GB 60GB 80GB iPod nano (2nd generation): 2GB 4GB 8GB
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More info: Belkin Tune-Studio 4Ch IPOD Mixer/Audio Interface
MACKIE 808M 8-CHANNEL POWERED PA MIXER The point of a powered mixer is power, right? That’s why there are real FR Series High-Current amplifiers inside every Mackie PPM? Series mixer. They crank out real wattage at any impedance, sound good even when pushed into clipping, and are legendary for their reliability. Mackie also built in the industry’s first 32-bit digital EMAC? effects contained in a powered mixer. Developed specifically for PPM mixers, the EMAC is equivalent to many outboard effects processors, and offers 16 user-controllable, stunning effects. And since graphic equalizers are always in a powered mixer’s output path, these were over-engineered with expensive, discrete components. BUILT LIKE ONLY MACKIE CAN The PPM 808M has everything you’ll need for the gig. Each of the six mono channel strips feature XLR mic and 1/4″ TRS line inputs, TRS insert jacks, monitor and effects send, 3-band EQ, and an input Trim control with individual level-set LEDs. And you wont need external effects, thanks to the EMAC 32-bit precision digital effects processor?which sounds great and is as easy to use as a stompbox. There’s even an Effects to Monitor control, so you can give your stage monitors a “wet” mix, totally independent of the Mains. The output section boasts two of our 600-watt FR (Fast Recovery) power amps, dual 9-band graphic equalizers, 75Hz rumble reduction filters, a switchable soft-knee compressor, and output level metering. CLEAN, ARTICULATE MIXING Above all else, the PPM Series mixers sound great. Often copied, but seldom duplicated, the high-headroom, low-noise mic preamps are legendary the world over for their superior sound quality. That’s why they are used in the PPM Series?clean, quiet, superb. Each preamp channel has its own input Trim control, which provides up to 40dB microphone gain, 20dB line-level gain, or a full 20dB of attenuation to “pad” those really hot signals. Channels also feature level-set LEDs for easy visual input gain adjustment?just speak, sing, or yell into the mic and adjust the Trim control until the little green LED blinks. Time to dial in a little channel EQ? ACTIVE 3-BAND EQUALIZATION The mixers dont limit your equalization options to bass and treble. All PPM? Series mixers features no-crosstalk, phase-accurate, 3-band EQs on each channel, with usable center frequencies as follows: 12kHz shelving high-frequency EQ (?15dB), 2.5kHz peaking mid-frequency EQ (?12dB), and 80Hz shelving low-frequency EQ (?15dB). ONBOARD 32-BIT DIGITAL EFFECTS The pi?ce de r?sistance of the PPM Series is its onboard EMAC? 32-bit digital effects processor, which offers a plethora of dynamic digital effects. You can select any one of 16 custom-designed algorithms ranging from small room reverb to “out-of-this-world” phase shifting?and they’re all controllable and easy to operate. Both the Monitor Master and Main Master rotary controls have corresponding EFX controls, so you can mix your effects into the monitors as
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More info: Mackie 808M 8Ch 2X600W Mono Pwrd Mixer W/Fx
MACKIE 808S POWERED 8-CHANNEL STEREO MIXER 1200W The point of a powered mixer is power, right? That’s why there are real FR Series High-Current amplifiers inside every Mackie PPM? Series mixer. They crank out real wattage at any impedance, sound good even when pushed into clipping, and are legendary for their reliability. Mackie also built in the industry’s first 32-bit digital EMAC? effects contained in a powered mixer. Developed specifically for PPM mixers, the EMAC is equivalent to many outboard effects processors, and offers 16 user-controllable, stunning effects. And since graphic equalizers are always in a powered mixer’s output path, these were over-engineered with expensive, discrete components. BUILT LIKE ONLY MACKIE CAN The PPM 808S has everything you’ll need for the gig. Each of the six stereo channel strips feature XLR mic and 1/4″ TRS line inputs, TRS insert jacks, monitor and effects send, 3-band EQ, and an input Trim control with individual level-set LEDs. And you wont need external effects, thanks to the EMAC 32-bit precision digital effects processor?which sounds great and is as easy to use as a stompbox. There’s even an Effects to Monitor control, so you can give your stage monitors a “wet” mix, totally independent of the Mains. The output section boasts two of our 600-watt FR (Fast Recovery) power amps, dual 9-band graphic equalizers, 75Hz rumble reduction filters, a switchable soft-knee compressor, and output level metering. CLEAN, ARTICULATE MIXING Above all else, the PPM Series mixers sound great. Often copied, but seldom duplicated, the high-headroom, low-noise mic preamps are legendary the world over for their superior sound quality. That’s why they are used in the PPM Series?clean, quiet, superb. Each preamp channel has its own input Trim control, which provides up to 40dB microphone gain, 20dB line-level gain, or a full 20dB of attenuation to “pad” those really hot signals. Channels also feature level-set LEDs for easy visual input gain adjustment?just speak, sing, or yell into the mic and adjust the Trim control until the little green LED blinks. Time to dial in a little channel EQ? ACTIVE 3-BAND EQUALIZATION The mixers dont limit your equalization options to bass and treble. All PPM? Series mixers features no-crosstalk, phase-accurate, 3-band EQs on each channel, with usable center frequencies as follows: 12kHz shelving high-frequency EQ (?15dB), 2.5kHz peaking mid-frequency EQ (?12dB), and 80Hz shelving low-frequency EQ (?15dB). ONBOARD 32-BIT DIGITAL EFFECTS The pi?ce de r?sistance of the PPM Series is its onboard EMAC? 32-bit digital effects processor, which offers a plethora of dynamic digital effects. You can select any one of 16 custom-designed algorithms ranging from small room reverb to “out-of-this-world” phase shifting?and they’re all controllable and easy to operate. Both the Monitor Master and Main Master rotary controls have corresponding EFX controls, so you can mix your effects into the
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More info: Mackie 808S 8Ch 2X600W Stereo Pwrd Mixer W/Fx
